Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

His Holiness held his lips tight when he smiled. From the look of his hollow cheeks, he’d probably lost all his teeth and was trying not to flash his gums. “Indeed?”

To Michelangelo, I said, “I apologize for startling you that day, but maestro Leonardo”—my eyes darted to the pope—“from Vinci”—eyes back to the sculptor—“had given me permission to be in that room, where you were both working.”

The sculptor’s face turned crimson. “And does Leonardo give you permission to use his name for your attempts at social climbing?”

I turned my body fully toward the pope but kept my eyes humbly lowered. “I don’t like to boast, and I never would’ve brought this up on my own, Your Holiness, but the maestro from Vinci has offered a letter of recommendation if it would be of benefit . . .”

“That master”—Michelangelo snarled when he said the word— “did not have the right to give you permission to copy my designs that day.” He turned to the pope and said, “This young climber hasn’t only stolen from me, Your Holiness, but from Perugino, his own teacher.”

And I said, “He is a poor student who does not surpass his master.”

Michelangelo huffed, “Gesù, now you’re quoting Leonardo, too? Do you have one original thought in that head of yours?”

My lips parted, but I didn’t have time to parry before the pope flicked his fingers and said, “We shall be the judge as to whether he steals or improves.”

That’s when Michelangelo shifted my sketchbook to behind his back. “I’ve seen his work, Your Holiness, and it’s not good.”

“You’ve seen my work?” I said, still young enough to be flattered by such a revelation.

“It’s not good,” Michelangelo repeated.

“We’ll be the judge,” said the pope.

“Michel, per favore,” whispered Cardinal de’ Medici. “Hand over the sketchbook.”

The sculptor’s eyes twitched this way and that—I’d never seen him calculate before—and then he clenched his jaw and said, “If he’s working in the Vatican, then I won’t be.”

Pope Julius cocked his wild, gray eyebrows at me. I’d comported myself quite well already and speaking again would only feed the argument, so I made the courtly choice: I held a genial smile and waited for the fair deliverance of justice.

But the pope only shrugged—shrugged!—and said, “So be it.” He flicked his fingers, and two papal guards marched toward me. What had just happened? As Bramante groaned, the pope said to Michelangelo, “Since we’re giving up such a prize for you, you owe us in return. We expect miracles on your ceiling, Buonarroti.”

Michelangelo bowed; it was less clumsy than I’d imagined. “And you shall have them.”