Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

What year did you first arrive in Rome? Va bene, but back in the aughts, it was no marble metropolis shining atop seven splendid hills, but a neglected cemetery of crumbling buildings half-buried in dirt with weeds growing all around. One of the first things I saw upon entering the Eternal City was a dead body hanging by a noose in the streets. The corpse had been stripped naked, his skin was gypsum with a wash of indigo, and the whites of his eyes were the color of spoilt yolk. I assumed he was a criminal, since he’d been hanged and all, but I had no real way of knowing. Two streets over, there was a whole row of dead bodies hanging there like sausages, and down by the river there was another and another . . . You’d think some polite Roman could’ve posted signs warning, “If you turn this corner, you’ll come face-to-face with a dead man.” All of those decaying bodies must’ve had something to do with the city’s stench. It was a pungent mix of cow manure, urine, wet wood, fetid river water, and—for some reason—rotting oranges. Then, there were all those wolves, their howls echoing through ruins. It was strange, but then again, everything in Rome was strange, even the moss: bright yellowish-green and disturbingly thick, as if an animal were growing a heavy coat for winter. I’m serious, Rome’s hot, wet air breeds peculiar moss. But the strangest part? All of the statues had been beheaded or at least defaced—noses missing, one eye or cheek removed, half a head of hair knocked off.