Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Felice della Rovere was the illegitimate daughter of Pope Julius II and one of the most remarkable women of the Italian Renaissance. The legend of her throwing herself off a ship in the middle of the Mediterranean to protect her father comes to us from history. She was widowed when she was young (although there’s no evidence that she murdered her first husband; I made that up based on what I know of her character, circumstances, and times) and later married into the infamous Orsini family. Felice is a fascinating woman, I couldn’t include every fabulous detail about her life in this novel, and I highly recommend checking out the bibliography below to read more about her.

Margherita Luti, “the baker’s daughter,” is famously the love of Raphael’s life and subject of many of his most beloved paintings, including the Sistine Madonna. There’s debate over whether Raphael married Margherita in secret (there’s too much evidence to recount here). In 1514, Raphael got engaged to Maria Bibbiena— niece of Cardinal Bibbiena—but he kept postponing the marriage (some researchers see this as evidence that he was not in a position to follow through because he was already married). As basis for Margherita saving Raphael from a pack of wolves, I used a legend that surrounds his Madonna della Seggiola tondo: the woman in the painting supposedly saved a monk from a pack of wolves; in return for her help, the monk blessed her—and the tree he’d hidden in—promising that they would both be famous; according to the legend, Raphael’s tondo (made out of wood from that tree) is the fruition of that blessing.

Agostino Chigi, one of the wealthiest bankers in Rome, commissioned some of Raphael’s greatest works in his villa—including his Triumph of Galatea. (There is also a legend that Michelangelo, too, left a painting on the walls of Chigi villa, while waiting around for a meeting with Raphael; I badly wanted to include this legend, but it never fit in the story. If you visit the villa, see if you can pick out the painting supposedly by Michelangelo: it’s the black-and-white fresco of a man’s head in the Galatea loggia.) Chigi also really did host a large Carnevale party in 1510, was the lover of Imperia (a famous Roman prostitute; we do know her last name—Cognati), and once famously threw his dishes into the Tiber only to have his servants later fish them back out with nets.