Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

The next few weeks were frantic. Cardinals hurried up and down halls, whispered in corners, bribed one another for silence, secrets, and votes. Riario, Bramante, and my duke—who stayed in Rome after the funeral to use whatever talents he could to influence opinion—paced across the papal apartments, sharing hourly rumors of hypothetical scenarios: if this faction of cardinals votes this way, then this faction votes another, and that puts these two cardinals up for grabs and . . . I couldn’t keep up. I suppose I could try to detail all the highs and lows of that campaign season for you, but, I’m bored by political machinations, aren’t you? Don’t hear me wrong; I understand why people were plotting. There was a lot at stake in that election: enormous political power and money, not to mention my position in the Vatican, but I didn’t want to win the job because of politics. Would you? Yes, the thought of Cardinal Riario becoming pope and anointing me Bramante’s successor was terribly grand, but it also seemed, I don’t know . . . disappointing. I wanted to win the job in a flood of my own beauty not because this cardinal over here bribed that cardinal over there into voting for that other cardinal on the other side of the room . . . you understand. However, Bramante made a good argument: “If Michelangelo is appointed papal architect, the first thing he’ll do is tear down your frescoes. He knows how good they are; he’ll never leave his rival’s work on those walls.” So, I did what I could to help the cause: I added Cardinal Riario’s image to the crowd of my Mass at Bolsena fresco, so that as cardinals scurried in and out of those rooms, they would see Riario’s face already gracing the walls of the papal apartments and believe he was destined to be there. (You know where Riario is in the fresco, don’t you? Standing over to the right, in his red robes with that tuft of curly hair circling his balding head.)

And, yes, it all really did seem to be sliding in my direction. The night before the College of Cardinals was to convene for conclave—locking themselves in the Sistine under Michelangelo’s ceiling, where they would sleep and eat and remain until two-thirds could agree on who should be the next pope—Fafel entered the apartments and stood beside me, as we both peered up at his image in my fresco. “Soon, we’ll cover the world with your miracles, Rafa. Very soon.” And, it’s hard to remember now, but . . . I guess I believed him?