Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Then, came the day when I received a note from Margherita, scrawled in a fast hand: “Meet me on via Flaminia as soon as possible.” I found her outside the gates of Rome, pacing up and down the pilgrimage route as a line of citizens, merchants, and pilgrims fled the city. She said, “We have to get out of Rome. Now.”

“I can’t leave, I have to work.” I turned to march back through the gates, but I couldn’t reenter the city without a proper dose of luck, now could I? Not at this precarious moment. So, I started to go through my latest routine: tuck my hair behind both ears, wipe dust from each shoulder . . .

She grabbed my arm. “You’re not coming with me? Not even with the latest from Ravenna?” her voice was shrill.

I thought of Sodoma’s strange tales of earthquakes and red moons and: “Are you worried about the monster, too?”

“What monster?”

“I don’t know.”

“I’m talking about Easter.”

“What about Easter?” Was she talking about the pope’s strange Easter service?

“The streets are full of stories,” she said. “How have you not heard about Easter?”

“I’ve been working.”

“Inside the Vatican,” she snapped. “You should know more than I do. The siege has ended. The French attacked. There was a great battle on Easter Sunday.” The tremor in her voice compelled me to stop and listen. “They killed each other. On Easter. Over ten thousand dead. The French fired their cannons for hours. Helmets, heads, severed limbs all flying; the ground dyed red with blood; ditches overflowing with carnage; Ravenna fallen . . .”

I’d been to Ravenna: a city of tan, orange, and sienna with hills of emerald green and sky of clear blue. Had the city’s trove of Byzantine mosaics survived the attack? Would I ever again be able to ride up the coast of the Adriatic to copy those mosaicked scenes of Jesus presiding over his flock as the Good Shepherd or the Byzantine Emperor and his wife cavorting at court? My heart squeezed with the fear that, perhaps, those thousand-year-old mosaics had already fallen alongside the other corpses of war. I shook my head. “There’s nothing I can do, but paint.” Tuck hair behind both ears, dust off each shoulder . . .

“The worst battle in history, they say.” Margherita took my hands in hers, stopping my progress. “The papal army was destroyed. The French won. Now, nothing stands between them and Rome. And when Gaston de Foix and his murderous men arrive here, they’ll spare none of us. We have to leave.”

“If we leave, war will only chase us.”

“We can’t stay here!”