Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“Like you said, I’m charming.”

She grabbed the end of my paintbrush to keep me from making another stroke.

I said, “You wouldn’t want me to share all my secrets, would you?”

Her eyebrow arched.

I’m not proud of the lie, but I had to come up with something. “Let me put it this way, Michelangelo is as fond of a handsome smile as any chambermaid.”

And with that she laughed. “That I believe.” She let go of my paintbrush and leaned against the railing. After that, she seemed to take my word as true. “So, you think it’s good. Truly good?”

“I do.” I turned my back on her and continued adding quick strokes of umber. “I don’t believe he’ll defeat me, but he’s a sculptor, so did anyone expect that? But overall, I think it’ll be seen as a victory.”

“A victory?”

“Sì. In comparison to the first half? A victory. Absolutely. Michelangelo will have a victory inside the Vatican.” Flick, flick, flick, flick.

“A victory.”

“A victory!”

“That’s . . . that’s . . .” she stuttered. “That’s terrible.”

I jerked my brush away from the paint and turned to her. Her face was flushed and her eyes flamed with . . . Fury? Protectiveness? Revenge? “Victory is a bad thing?”

“Of course, it’s a bad thing,” she spit.

“Mi dispiace. I thought you’d be happy that your father’s painting would be seen as a triumph. How is that bad?”

“You are so . . .” She exhaled like my mother did that time when I tried to use the bread flour to mix a new pigment. “Michelangelo is a Florentine. His David is a symbol for all those antiestablishment, pro-Republican Florentines who joined with those damnable Pisans to depose my father; that statue is a stick in the eye of anyone who values the papacy. A stick in the eye of my father.” She started pacing. “Now imagine if such a Florentine declared victory inside the papal palace, right under my father’s nose. Imagine how it would be like a rallying cry for my father’s enemies. Imagine.” She bit her bottom lip again—hard—and drew blood. “The only thing worse than Michelangelo putting blasphemy on that ceiling is him triumphing inside the Vatican. The danger my father would face . . .” She sounded panicked as a half-witted nun who’s caught you kissing in the confessional. “I have to stop him. I have to stop the Florentines once and for all.” And with that, she was off the scaffolding with great speed for a woman so pregnant, marching off to Mary-knows-where to launch some new scheme with some new player.