Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

This was even more frightening than armies or assassins or French generals wielding swords. Because that wasn’t the hum of a man who hated to paint, was it? No. That was the song of a man who loved it. I’d always taken comfort in Michelangelo’s insistence that he hated to paint, because a man who loves his work—me—will always outdo a man who hates it—him—but now . . . I stood up and took a step backward. His humming grew louder. His shadow danced.

Michelangelo had fallen in love with painting.

I backed up, my feet falling over each other, desperate to escape that chapel, to get outside, to breathe, to think, to . . . I tripped over a bucket, sì certo. It made a great clatter as I landed hard against the marble floor. “Uffa!”

“Who’s there?” Michelangelo barked. He leaned over the scaffolding with a torch. I couldn’t see his face. Only the flame.

I cringed at the pain in my backside. I feared he would see me before I could hide, so lying seemed pointless. “Don’t worry, Michelangelo. It’s only me.”

“Me who?”

That stung worse than the fall. If Michelangelo called up my scaffolding, I’d know his voice immediately. I, apparently, am not quite so memorable. I called up, “Raphael.”

And he said, “The one from Urbino?”

“The one from the pope’s apartments.”

“Get out of here. Unless you want me to knock off your head and tell the pope I thought you were an assassin.” He ducked back behind the scaffolding.

I rode the first lie that came to mind. “There’s someone in the apartments,” I called.

“Who?” At least he didn’t throw a plank at my head.

“I don’t know,” I said. “They came in, I ran. Soldiers, maybe? Everyone else is gone, I didn’t know where else to go and . . .”

His torch leaned over the scaffolding again. “You thought I would protect you?”

“I thought two was better than one. Besides, you have a high scaffolding and . . .”

He snorted—snorted—at that. “I’m not putting my ladders down for anyone.”

I shrugged. I hadn’t really expected it to be that easy. But at least I had him talking. “Will you at least throw down a tarp for me to hide under?”

He didn’t answer, but there was shuffling, and a few moments later a tarp fluttered down. That was good. If you can get someone to do one favor, it’s easier to extract another and another. “Grazie mille,” I said, grabbing the tarp. “I hope you don’t mind if I hide down here.”