Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“We were attacked,” said Imperia, caressing the hair of a crying young woman huddled in her arms. “And it wasn’t just part of the rioting. They were intent on hurting us. Someone doesn’t like what we do.”

I scanned each face but didn’t see her. “Where is she?”

They all exchanged looks. No one answered.

Why won’t they answer? Is she dead? “Where’s Margherita?”

“We couldn’t stop her, Raphael,” said Imperia. “She insisted on going.”

“Where?”

“To protect her father.”

By the time I stumbled back outside, rain had started to fall. The city now stank of smoldering smoke and wet coals. When I found her father’s narrow street, it was eerily empty. Wagons were splintered. Broken doors swung off hinges. Was that motionless mound a dead cow or a dead man? I didn’t look closely enough to find out.

The bakery was smoking. Black soot charred the facade. The door was split in two; someone must’ve axed through it. I waded through splinters, toppled tables, broken bread. “’Gita! ’Gita!” I called, not caring whether rioters or the entire French army heard me. A wild boar snorted past; I jumped out of the way. “’Gita!”

I found her in the back room, among her father’s pans. She was sitting up, breathing, alive—thank Mary—but . . .

Her father’s head was in her lap, hair slick with blood, skin too white, eyes open but blank. She rocked back and forth, as he sprawled across her lap like Jesus in a Pietà. Margherita’s sobs strangled her. “Help him, save him, make him, make him . . .”

Make him as he should be.

I dropped to my knees in front of her.

More times than I care to count, I’ve wished that I could paint over all the ugliness and turn it into flowers and perfumes and pretty. I’ve wished it so often. But I’ve never wanted to paint over the world more than I did in that moment. And I’ve never felt more incapable of doing so. “This place,” she moaned. “After my mother . . . he wanted a better life for me, but he never should’ve brought me here. Never. Rome kills everything good. Everyone good.”

You’d think after all these years of confessing my own losses, I’d know how to comfort someone at such a moment, but what is there to say? Nothing can make it better.

“I can’t stay here,” she choked. “I have to leave.” She dropped her father to the floor and scrambled toward the door like that frantic, flapping chicken I’d seen earlier that night. I went after her, grabbing her, holding her as she flailed, fought against me, pushing, punching. “Let me go, I have to go, I have to get out of here, out of Rome, out of . . .”

I held her tight. “You can’t leave.”

“There’s nothing left for me here.”