Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

You mean the pope who might be coughing his last at this very moment, I thought, but didn’t say, because who wants to hang for such careless treason?

Every door was guarded the same, except for the secret door leading to Michelangelo’s workshop, but it was locked firm. I yanked on the handle, kicked and pounded, but that door didn’t open and no one came to help. I tried to work my brush in the lock but couldn’t make it click. I had to get to Margherita, help her, save her, protect her. Uno, due, tre, quattro, there had to be a way out.

When I was a child, my mother taught me that whenever I was feeling hopeless, I should close my eyes and let my mind wander: “You already know the answer,” she would tell me. “You only have to show yourself the way.”

So, that day, twirling my father’s paintbrush, I followed her orders and closed my eyes, letting my imagination bob through that locked door and down that dark corridor and then come to Michelangelo’s studio, where I remembered back to that day when I’d first arrived in Rome, when I was up in that workshop, and Michelangelo’s clunky work boots were mounting the stairs, and I was searching desperately for an escape, an escape, an escape . . .

My eyes flew open. Yes. Yes, there was a way out. Like that long-ago day, the only thing I needed was a key. And I knew just where to find one.

“Leave me alone. I’m tending to my father,” barked Felice, waving me away.

“But I’m here to beseech you to save your father, my lady, as only you can.”

She used a rag dipped in wine to blot his holy lips. The pope’s eyes were closed. His breath rattled. “If you’ll leave me alone, then I can tend to it.”

Any other man, I suppose, might’ve grabbed her arm and dragged her from the room—it’s not as if the cardinals holding vigil would’ve questioned me if I’d told them she was having a “moment”—but I never take something from a woman that she doesn’t want to give. “This building is shaking; don’t you feel it?” I said in a pleading tone with nary a finger on her elbow. “The rioters are trying to get inside, and your father isn’t strong enough to withstand an attack. If you stay here, you might as well tell St. Peter to open the gates for a new resident.”

Her eyes blazed. “You want me to go outside and fight off the rioters with a stick?”

“Your father didn’t marry you to an Orsini only to keep you in Rome, did he?”

Her hands paused over his damp forehead.