Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

Uffa, I couldn’t exactly argue with my own actions in my studio, in the woods, behind the blacksmith’s shop . . . “I-I-I . . .” I began picking at a speck of green paint off my thumbnail. “I think you’re lovely.”

I braced for screams, but her voice was unnervingly calm when she said, “It’s time to stop hiding me behind locked doors and painters’ tarps, Raphael Santi.”

“Mia cara, I’m a painter, not made for marriages and family.”

“Other painters marry. They keep workshops, assistants, wives, children.”

“I’m not other painters.” I reached into my pocket, took out my father’s old long-handled paintbrush, and started twirling it between my fingers.

“Men need children to carry on their legacy.” She grabbed my hand to stop my twirling.

“Children die,” I said.

This time it was her turn to reply, “Che?”

“And even if children live . . .” I started twirling the brush again. “Do you know the names of Giotto’s parents? Donatello’s? Botticelli’s? Even if I do great things, will my father’s name trip off the tongues of future generations? Maybe if I make enough of a mark his name will be written down in a book somewhere, but I can’t bring him back.” My fingers missed a beat, and my paint-brush clattered to the floor. “People die. Marriage can’t save you, children can’t save you, love can’t save you. Nothing can save you.”

She smoothed out her skirt. “Your teacher upset you. We’ll talk about this tomorrow.”

“You think Perugino upset me?”

“He called you a thief.”

“That was the greatest thing I’ve ever heard. I was hoping he’d tell me I did a good job or call me maestro, but never did I imagine him admitting that I’d surpassed him.”

“That’s not what happened.”

“That’s exactly what happened. His jealousy is proof that my altarpiece is better than his. And he knows it.” I bent down, picked up the brush, and pocketed it.

Tessa stared with—what was that? Distress? Horror? Disgust? “Rafa, to people on the outside you look so perfect, but . . .” She suddenly looked unmistakably sad. “How are you ever going to create perfection when you’re so far from it?” She turned and walked toward the exit, her skirts swishing against the stone floors.