Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

An hour later, the doors opened, and His Holiness entered leaning one arm on Felice and the other on Michelangelo. The sculptor hadn’t spoken to me since the cardinal’s death. Alidosi had been his trusted friend and supporter, and like everyone else, I’m sure Michelangelo blamed those of us from Urbino for the murder. The threesome stopped in front of my Philosophy wall. That was the first time the pope had seen it. “Perfect,” he muttered. He looked old and tired, beaten and spent. Then, he let Felice and Michelangelo guide him across the room and behind a private door. I looked down to pick a blotch of brown paint off a fingernail.

Guillaume joined me in a back doorway. I said, “You shouldn’t be seen with me.”

He replied, “Eh, I’m French. It’s my country at war with the papacy, and my army that now marches down the peninsula. Je pense que I’m more traitor than you.”

I kept picking at the spot of paint, but it wouldn’t come loose. “Do you believe the cardinal turned traitor on the pope?”

“Quelle histoire.” Guillaume shook his head. “We all know, bien sûr, how loyal the cardinal was to the pope. But the other rumors?” Guillaume shrugged. “In France, it’s not so much a problem, but here? Here, those rumors stick, painfully so, especially when . . .” Guillaume looked at his shoes. “Especially when the pope hangs a portrait of the suspected man in his . . .”

I smoothed down my vest. “You think my portrait is part of . . . ?”

Guillaume wouldn’t look at me.

My hands turned clammy. I tucked hair behind both ears. Was that why the duke had commissioned that portrait from me? That painting wasn’t a gift—was it?—but a trap, a way to fan the flame of suspicions about the relationship between the pope and the cardinal. Uno, due, tre, quattro, uno, due, tre . . . “But the duke commissioned that painting before Alidosi even left for Bologna, long before the war, long before the loss.”

Guillaume shrugged. “But not before the duke knew that the cardinal was becoming too powerful, with too much influence over the pope, and the duke might one day want to hurt Alidosi or have . . . how do you say? Leverage over him.”

I brushed imaginary dirt off both of my shoulders. “The duke used me.”

Guillaume shook his head. “This is no one’s fault except the man who held the dagger.”

He was trying to be nice, but all I could think was: why would he try to reassure me that it wasn’t my fault unless people thought it was? I ran my tongue over each individual tooth, counting as I went. Guilt is distasteful as spoiled egg, isn’t it?