Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

The old panic was back. Her father was going to bring up marriage now, wasn’t he? I took a deep breath. I would have to say yes. I would have to find a way. I would . . . “And tell me why I’m destined to be here, signore. I shall do as you ask, I swear it.” I crossed one finger over the other in an “x” to seal my promise.

“You can finish this painting,” he said, his eyes gleaming. “You can make my daughter immortal.”

I looked down at the old tondo. He wasn’t asking me to marry her?

“Father, we have to stop now,” Margherita said, again trying to take the board from me, but I refused to let go. “You don’t have the money for such a commission,” Margherita went on. “Raphael is an important painter at the Vatican. He can’t be bought with a round of bread.”

“Signor Luti,” I said, holding his gaze hard as if I were grasping his hand, “I promise to paint your daughter again and again, until I make her immortal. And payment of bread will be quite enough.” I said, picking up a roll covered in a sugary glaze.

It took us I-don’t-know-how-long to extricate ourselves from his shop, and as we walked down the Tiber, Margherita said, “I’m sorry about that, I went home the morning after we met, and . . . I couldn’t keep that tondo at the villa. Imperia would’ve asked. I had to tell him something, but how could I admit . . . And I didn’t want him to . . . I’m gone for days sometimes. He gives away all his bread to widows and orphaned boys in the neighborhood, and if I didn’t bring home money . . . But he would never allow . . . so I tell him . . . I tell him . . .”

“You tell him the story as it should be. Nothing wrong with that.”

“That”—she tapped the wooden tondo under my arm—“is not why I took you there. I had no idea he would bring that out. Although he shows it to most visitors, so I should’ve guessed.”

I looked down at my shoes, splattered with orange and blue. Once again, at an important moment in my life, I’d neglected to put on a fresh pair. “I know why you took me there.”

“You do?” her tone sounded small and unsure.

“’Gita,” I said, and then corrected myself. “Margherita Luti.” Now was a moment for proper names, if there ever was one. “I know, despite what you have to do for your . . . that you’re a proper woman, who deserves to be a wife and . . .”

“No. No.” She pulled away and waved her hands in front of her. “This is what I feared. You can’t start talking of marriage. You can’t.” She dropped her face into her hands.

I took a step forward but didn’t dare touch her.