Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

When my mother gave birth to my sister, I listened to her birthing cries from our dim little parlor, crammed with two couches, three tables, four dressers, and countless stools. My father sipped from a strong-smelling cup of purple wine and stoked the fire. The birth lasted for hours. I missed a night’s sleep, only closing my eyes once my mother’s voice became hoarse. Anytime there was a moment of silence, I popped open my eyes, fearing she’d died. Then, came the howls of my baby sister, and a midwife escorted us into the bedroom. My mother’s face was splotched pink, and her chestnut-brown hair was matted with sweat. The bedsheet was crumpled. I crawled into bed beside her and begged, “Never do that again, Mamma.”

My mother pulled me close and whispered, “Oh, don’t worry, little one. I most certainly shall do that again. For God erases such pain from memory, so that we will walk through the tribulation of love again and again.” As the nurses laid my whimpering sister in her arms, I decided to save my arguments for another day. However, I never had another chance to make those arguments because my mother never had another chance to give birth to another baby.

Back then, I didn’t understand what my mother was saying about pain, but now I do because God must also erase the pain of birthing a painting, for if I could recall all that agony after it was over, why would I pick up a paintbrush ever again?

My Philosophy wall had been stewing in my mind for nearly two years, yet even after that prolonged pregnancy, the birthing of that painting was as tortured as any. I made thousands of sketches: from my first thoughts scribbled in inked pensieri; to detailed drawings of gestures, draperies, faces; and complex designs of figural groupings. Then, when the designs were complete, my hands turned to painting once again. I didn’t sleep much and only ate what my assistants put in front of me. I contracted a cold that turned to a cough. I wrapped wool scarves around my neck, balled my trembling fingers into shirtsleeves, and sneezed into chalky rags. My assistants tried to get me to rest—“We can do it for you, maestro. Let us help”—but no one had been able to give birth for my mother, and no one could give birth for me.