Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

He sat for me probably—I don’t know—a dozen times in his private salon at his villa in town. (If Michelangelo thinks I live like a prince, then he never visited Alidosi’s palace. Talk about ostentation: a gold-leafed clavichord that I never saw him play, colorful maiolica pottery decorated with lavish mythological scenes, and even glass in all of his windows—can you imagine such an extravagance?) As I sketched his thin face, beaked nose, and intense gaze, Cardinal Alidosi told me stories of when he was young, traveling to France alongside Cardinal della Rovere (before he was elected Pope Julius), and how Alidosi helped foil one of Pope Alexander’s attempts to poison his dear friend: “It’s because of me that he’s still alive to be pope.” Alidosi tried to play it off as though he were embarrassed to share the story—too humble, sì certo— but it was a not-so-subtle boast. He was pleasant enough, though. And polite. I didn’t dislike him. I didn’t.

A few times, His Holiness stopped by. You heard me right. The pope let himself into Cardinal Alidosi’s private home and made his way up, without escort, to find us in the cardinal’s private rooms. They would tilt their heads together and share a moment of hushed conversation—I couldn’t hear any of it—and the cardinal’s fingers would linger on the pope’s arm. Then, the pope would disappear in the direction of the cardinal’s bedchamber, and the cardinal would become agitated and encourage me to make an excuse to leave.

I know, I know, none of this should’ve surprised me. I should’ve already guessed the depth of their friendship. Even retelling this story, I’ve noticed a half dozen places where I should’ve picked up the hint, but I swear to you, before those sessions, I’d never considered what was passing between them. Wherever you were at the time, I’m sure people were happy to exchange whispers on the topic, but down in Rome—inside the Vatican, right under the pope’s chin—no one dared breathe the rumor; no one even exchanged looks about it. I had no idea, until I did, and then I could only regret not ingratiating myself to the influential cardinal earlier.

On the day of his last sitting, I showed the cardinal my drawings. Sadness shaded his smile when he asked, “Do you always see the best in people?”

“I try, Your Eminence.”

“Then, I shall try to live up to the goodness of the man in this picture.”