Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“How dare you suggest I’m some common thief,” she snapped. “That night we met, I was being a loyal daughter, stealing plans for my father’s tomb.” She dragged out that last word like a lament. “How would you feel if some sculptor were carving your father’s tomb while he was still alive, tempting the Fates to take him from this Earth before his time?” She didn’t know how close she’d hit to my own wounds; I, too, would’ve done anything to protect my father. If I could’ve. “I had no choice but to steal those designs. I’d do anything to save my father. And now, all I want to do is protect him from heartache.” That’s when the daughter of the pope dropped to her knees, her black widow’s weeds pooling around her. “Raphael, loyal subject of my cousin, painter for my pope . . .” I knew her countenance well: she was playing courtier, telling me what I wanted to hear. “Please help me ensure that my father is not mocked inside his own chapel. Let him be as he wishes: adored by Michelangelo. Adored by everyone.”

Make the world not as it is, but as it should be.

I must’ve nodded, because Felice stood up and said, “Thank you, Raphael, for helping me to protect His Holiness. I’ll tell your duke of your loyalty, and if Michelangelo doesn’t recover, then this ceiling will be yours. I’ll make sure of it.” She turned and marched out of the chapel.

“Cover up the thumb with a good dose of shadow,” Bramante called up. “And when I come back tomorrow morning, I’ll let you down.” And with that, Bramante exited the chapel, too. I sat there for a long time—twirling my father’s paintbrush, picking paint out from under my nails, shining my shoes with spit—waiting for Bramante to return and tell me he was only jesting, but did he come back? No.

Finally, I exhaled and climbed back up to the platform under the figure of Zechariah. I found a bit of umber and quickly mixed a color to match the shadows already in that fresco. Instead of using Michelangelo’s brushes, I took out my father’s old long-handled paintbrush. I pulled up both sleeves, rolled my wrist, dipped my father’s brush into the brown paint, wiped each side on the edge of the bucket, and raised my hand toward the ceiling.