Chapters (110)
- COVER
- TITLE PAGE
- COPYRIGHT
- DEDICATION
- CONTENTS
- INTRODUCTION
- THE BIRTH OF LOVE
- THE ORIGINS OF THE TROJAN WAR
- THE TRUCE
- HECTOR VERSUS ACHILLES
- THE DEATH OF ACHILLES
- THE CYCLOPS
- THE SONG OF DEMODOCUS
- AND SO TO BED
- PROMETHEUS AND PANDORA
- WHATEVER ONE LOVES
- PERSEPHONE AND THE POMEGRANATE SEEDS
- THE LIFE OF AESOP
- THE BATTLE OF THE FROGS AND MICE
- THE VENGEANCE OF CLYTEMNESTRA
- EDUCATING CYRUS
- DARIUS AND THE SCYTHIANS
- XERXES’ CHOICE
- THE FALL OF THE BARBARIANS
- THE FAIREST OF THEM ALL
- A BEAST OF INDIA
- THE ECSTASY
- HIPPOLYTUS AND HIS HORSES
- EURIPIDES THE WOMAN-HATER
- OEDIPUS LEARNS THE TRUTH
- ONE GIRL VERSUS THE LAW
- THE PLAGUE AT ATHENS
- THE MURDER OF ERATOSTHENES
- THE POWER OF LOVE
- THE AGEING PROCESS
- THREE TYPES
- THE MISANTHROPE
- THE CONTEST OF TWO MOUNTAINS
- HERCULES AND THE TWELVE LABOURS
- ALEXANDER THE GREAT MEETS THE RAM GOD
- THE DEATH OF ALEXANDER
- THE CONSTELLATION OF THE MAIDEN
- THE MERCHANT
- EUROPA AND THE BULL
- TROUBLE COMES TO TOWN
- PHILOCTETES
- SLAUGHTER OF THE HUSBANDS
- THE GOLDEN FLEECE
- MEDEA’S REVENGE
- ARIADNE AND THESEUS
- ALCIBIADES
- IN THE BEGINNING
- SULPICIA’S BIRTHDAY
- THE TROJAN HORSE
- DIDO AND AENEAS
- ROMULUS AND REMUS
- THE GEESE ON THE CAPITOL
- THE RISE OF HANNIBAL
- ATTIS AND THE MOTHER GODDESS
- A COUNTRY VILLA
- SPARTACUS
- A WOMAN SCORNED?
- CICERO: FOR HIS DAUGHTER
- CAESAR VERSUS POMPEY
- DIVINE CAESAR
- ANTONY AND CLEOPATRA
- TO HEAL AN ASP BITE
- THE GNAT
- ORPHEUS AND EURYDICE
- NARCISSUS
- DIANA & ACTAEON
- PYGMALION
- OVID’S DEFENCE
- THE TOWN AND THE COUNTRY MOUSE
- THE EMPEROR’S SLAVE
- THE RICHES OF CALIGULA
- THE PUMPKINIFICATION OF EMPEROR CLAUDIUS
- THE STORY OF BRITAIN
- THE GREAT FIRE OF ROME
- DINNER AT TRIMALCHIO’S
- THE ERUPTION OF VESUVIUS
- ON LAMPSTANDS, THE DISCOVERY OF GLASS, ON THE DOLPHIN
- THE MADNESS OF HERCULES
- THE SIEGE OF JOTAPATA
- THE COLOSSAL TURBOT
- CANNIBALS IN EGYPT
- ACHILLES BECOMES A GIRL
- THE IMPORTANCE OF BREAST MILK
- DO IT YOURSELF
- ANDROCLES AND THE LION
- PERSEUS AND MEDUSA
- WAR ON THE GIANTS
- THE METAMORPHOSIS OF CERAMBUS
- FIRST LOVE
- A SHAM SACRIFICE
- THE DREAM OF LUCIAN
- PRAXITELES AND THE GODDESS
- CUPID AND PSYCHE
- A PICTURE OF PHAËTHON
- THE WEDDING FEAST
- CUPID CRUCIFIED
- A CLASSICS STUDENT
- THE PHOENIX
- THE TWICE-BORN GOD
- INTRIGUES AT THE PALACE
- A MEETING WITH LADY PHILOSOPHY
- ACKNOWLEDGEMENTS
- EXTENDED COPYRIGHT
- About the Author
- An Invitation from the Publisher
There is a part of Syria which is known as Phoenicia, bordering Judaea, which contains, between the slopes of Mount Carmel, a swamp called Candebia. This is believed to be the source of the River Belus, which covers a distance of five miles before emptying into the sea beside the colony of Ptolemais. This river is slow in it course, unclean to drink, but sacred for religious purposes, muddy, deep, and reveals its sands only when the tide is out, for they glisten once the motion of the waves has removed their dull impurities. It is thought that the sand is cleansed by the bite of the seawater and only then, and not a moment sooner, becomes useful.
The coast isn’t more than half a mile in extent but was nonetheless the only place for producing glass for many centuries. The story goes that a ship that traded in soda put in here and its men spread out along the shore and began to prepare a meal. Finding they had no way of propping up their cauldrons for lack of rocks, they placed lumps of soda from their ship under them instead, and when these were kindled and began to merge with the sand of the beach, streams of a novel kind of translucent liquid began to flow, and this was the origin of glass.
Soon, as is usual where creative genius is concerned, man was not satisfied with mixing in soda alone; loadstone started to be added, since it was predicted that it might attract liquid glass in the same way as it does iron. In much the same way, a variety of shiny pebbles began to be used, then shells and sand. Writers say that in India it is made of broken crystal, on account of which nothing compares with Indian glass.
On the Dolphin
In his encyclopaedia, Pliny the Elder described the dolphin as ‘the very fastest of animals, not only of sea creatures, faster than a bird’. It has a wide short tongue which, he wrote, was ‘not unlike a pig’s’. Dolphin stories were popular in antiquity. One of the most famous featured a musician named Arion, who was said to have plunged into the sea to escape some evil sailors who were pursuing him, only to be saved by a dolphin. The first story in this passage from the Natural History is set in the Bay of Naples, where Pliny the Elder served as admiral of the imperial fleet. The second story also appears in a letter written by his nephew, Pliny the Younger, decades later.
The dolphin is an animal that is well-disposed not only to man but to the art of music as well. He is soothed by harmonious song and especially by the sound of the water-organ. He is not frightened of man as of a stranger, but comes to greet ships, enjoys playfully leaping about them, and indeed races them even when they’re in full sail.