Chapters (110)
- COVER
- TITLE PAGE
- COPYRIGHT
- DEDICATION
- CONTENTS
- INTRODUCTION
- THE BIRTH OF LOVE
- THE ORIGINS OF THE TROJAN WAR
- THE TRUCE
- HECTOR VERSUS ACHILLES
- THE DEATH OF ACHILLES
- THE CYCLOPS
- THE SONG OF DEMODOCUS
- AND SO TO BED
- PROMETHEUS AND PANDORA
- WHATEVER ONE LOVES
- PERSEPHONE AND THE POMEGRANATE SEEDS
- THE LIFE OF AESOP
- THE BATTLE OF THE FROGS AND MICE
- THE VENGEANCE OF CLYTEMNESTRA
- EDUCATING CYRUS
- DARIUS AND THE SCYTHIANS
- XERXES’ CHOICE
- THE FALL OF THE BARBARIANS
- THE FAIREST OF THEM ALL
- A BEAST OF INDIA
- THE ECSTASY
- HIPPOLYTUS AND HIS HORSES
- EURIPIDES THE WOMAN-HATER
- OEDIPUS LEARNS THE TRUTH
- ONE GIRL VERSUS THE LAW
- THE PLAGUE AT ATHENS
- THE MURDER OF ERATOSTHENES
- THE POWER OF LOVE
- THE AGEING PROCESS
- THREE TYPES
- THE MISANTHROPE
- THE CONTEST OF TWO MOUNTAINS
- HERCULES AND THE TWELVE LABOURS
- ALEXANDER THE GREAT MEETS THE RAM GOD
- THE DEATH OF ALEXANDER
- THE CONSTELLATION OF THE MAIDEN
- THE MERCHANT
- EUROPA AND THE BULL
- TROUBLE COMES TO TOWN
- PHILOCTETES
- SLAUGHTER OF THE HUSBANDS
- THE GOLDEN FLEECE
- MEDEA’S REVENGE
- ARIADNE AND THESEUS
- ALCIBIADES
- IN THE BEGINNING
- SULPICIA’S BIRTHDAY
- THE TROJAN HORSE
- DIDO AND AENEAS
- ROMULUS AND REMUS
- THE GEESE ON THE CAPITOL
- THE RISE OF HANNIBAL
- ATTIS AND THE MOTHER GODDESS
- A COUNTRY VILLA
- SPARTACUS
- A WOMAN SCORNED?
- CICERO: FOR HIS DAUGHTER
- CAESAR VERSUS POMPEY
- DIVINE CAESAR
- ANTONY AND CLEOPATRA
- TO HEAL AN ASP BITE
- THE GNAT
- ORPHEUS AND EURYDICE
- NARCISSUS
- DIANA & ACTAEON
- PYGMALION
- OVID’S DEFENCE
- THE TOWN AND THE COUNTRY MOUSE
- THE EMPEROR’S SLAVE
- THE RICHES OF CALIGULA
- THE PUMPKINIFICATION OF EMPEROR CLAUDIUS
- THE STORY OF BRITAIN
- THE GREAT FIRE OF ROME
- DINNER AT TRIMALCHIO’S
- THE ERUPTION OF VESUVIUS
- ON LAMPSTANDS, THE DISCOVERY OF GLASS, ON THE DOLPHIN
- THE MADNESS OF HERCULES
- THE SIEGE OF JOTAPATA
- THE COLOSSAL TURBOT
- CANNIBALS IN EGYPT
- ACHILLES BECOMES A GIRL
- THE IMPORTANCE OF BREAST MILK
- DO IT YOURSELF
- ANDROCLES AND THE LION
- PERSEUS AND MEDUSA
- WAR ON THE GIANTS
- THE METAMORPHOSIS OF CERAMBUS
- FIRST LOVE
- A SHAM SACRIFICE
- THE DREAM OF LUCIAN
- PRAXITELES AND THE GODDESS
- CUPID AND PSYCHE
- A PICTURE OF PHAËTHON
- THE WEDDING FEAST
- CUPID CRUCIFIED
- A CLASSICS STUDENT
- THE PHOENIX
- THE TWICE-BORN GOD
- INTRIGUES AT THE PALACE
- A MEETING WITH LADY PHILOSOPHY
- ACKNOWLEDGEMENTS
- EXTENDED COPYRIGHT
- About the Author
- An Invitation from the Publisher
Poetry in ancient Rome was not only a man’s craft. We know of several female poets, but in most cases we have been deprived of the chance to read their work because it was not preserved. Fortunately, a handful of poems by Sulpicia, a poetess of the late first century BC, survived by accident, bundled together with those of a male poet called Tibullus. Although Sulpicia was well-born and well-connected, her poems reach beyond the confines of her status – and indeed her time – to speak clearly to us today. In this poem she writes of her misery at being parted from her beloved Cerinthus for her birthday.
Sulpicia’s Birthday
My dreaded birthday is looming, and I’ve got to spend it
There in the odious country without Cerinthus.
What is more agreeable than the city? Is a country estate
A fit place for a girl or the fields
By the cold river Arno? Stop fussing about me
Messala, my kinsman, you’re much too ready
To take me on an unnecessary journey.
Carried hence—I leave my soul and my senses behind
As I cannot exercise my own free will.
She Can Be At Rome, After All
Don’t you know that the burden of an unnecessary journey
Is lifted from your poor girl’s heart?
I can be at Rome, it now seems, for my birthday—
This comes to you by an unexpected stroke of luck.
THE TROJAN HORSE
Aeneid, Book II
Virgil
Translated by John Dryden, 1697
The Aeneid, a Latin epic by the Augustan poet Virgil (70 BC–19 BC), tells of the fall of Troy and escape of Aeneas, son of Venus, and a group of survivors, and of their coming to Italy to found a new home. Modelled on the epics of Homer, the poem provided Romans with the opportunity to view themselves as descendants of the families of Troy. The final moments of the Trojan War had been recounted only briefly in flashback in the Odyssey, allowing Virgil to develop the story in full. In this excerpt from his poem, translated in the seventeenth century by the great John Dryden, England’s first official Poet Laureate, the Trojans receive the gift of a wooden horse from the Greeks.
By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And, by Minerva’s aid, a fabric rear’d,
Which like a steed of monstrous height appear’d:
The sides were plank’d with pine: they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side,
Selected numbers of their soldiers hide:
With inward arms the dire machine they load;
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay,
There was their fleet conceal’d. We thought, for Greece