Chapters (110)
- COVER
- TITLE PAGE
- COPYRIGHT
- DEDICATION
- CONTENTS
- INTRODUCTION
- THE BIRTH OF LOVE
- THE ORIGINS OF THE TROJAN WAR
- THE TRUCE
- HECTOR VERSUS ACHILLES
- THE DEATH OF ACHILLES
- THE CYCLOPS
- THE SONG OF DEMODOCUS
- AND SO TO BED
- PROMETHEUS AND PANDORA
- WHATEVER ONE LOVES
- PERSEPHONE AND THE POMEGRANATE SEEDS
- THE LIFE OF AESOP
- THE BATTLE OF THE FROGS AND MICE
- THE VENGEANCE OF CLYTEMNESTRA
- EDUCATING CYRUS
- DARIUS AND THE SCYTHIANS
- XERXES’ CHOICE
- THE FALL OF THE BARBARIANS
- THE FAIREST OF THEM ALL
- A BEAST OF INDIA
- THE ECSTASY
- HIPPOLYTUS AND HIS HORSES
- EURIPIDES THE WOMAN-HATER
- OEDIPUS LEARNS THE TRUTH
- ONE GIRL VERSUS THE LAW
- THE PLAGUE AT ATHENS
- THE MURDER OF ERATOSTHENES
- THE POWER OF LOVE
- THE AGEING PROCESS
- THREE TYPES
- THE MISANTHROPE
- THE CONTEST OF TWO MOUNTAINS
- HERCULES AND THE TWELVE LABOURS
- ALEXANDER THE GREAT MEETS THE RAM GOD
- THE DEATH OF ALEXANDER
- THE CONSTELLATION OF THE MAIDEN
- THE MERCHANT
- EUROPA AND THE BULL
- TROUBLE COMES TO TOWN
- PHILOCTETES
- SLAUGHTER OF THE HUSBANDS
- THE GOLDEN FLEECE
- MEDEA’S REVENGE
- ARIADNE AND THESEUS
- ALCIBIADES
- IN THE BEGINNING
- SULPICIA’S BIRTHDAY
- THE TROJAN HORSE
- DIDO AND AENEAS
- ROMULUS AND REMUS
- THE GEESE ON THE CAPITOL
- THE RISE OF HANNIBAL
- ATTIS AND THE MOTHER GODDESS
- A COUNTRY VILLA
- SPARTACUS
- A WOMAN SCORNED?
- CICERO: FOR HIS DAUGHTER
- CAESAR VERSUS POMPEY
- DIVINE CAESAR
- ANTONY AND CLEOPATRA
- TO HEAL AN ASP BITE
- THE GNAT
- ORPHEUS AND EURYDICE
- NARCISSUS
- DIANA & ACTAEON
- PYGMALION
- OVID’S DEFENCE
- THE TOWN AND THE COUNTRY MOUSE
- THE EMPEROR’S SLAVE
- THE RICHES OF CALIGULA
- THE PUMPKINIFICATION OF EMPEROR CLAUDIUS
- THE STORY OF BRITAIN
- THE GREAT FIRE OF ROME
- DINNER AT TRIMALCHIO’S
- THE ERUPTION OF VESUVIUS
- ON LAMPSTANDS, THE DISCOVERY OF GLASS, ON THE DOLPHIN
- THE MADNESS OF HERCULES
- THE SIEGE OF JOTAPATA
- THE COLOSSAL TURBOT
- CANNIBALS IN EGYPT
- ACHILLES BECOMES A GIRL
- THE IMPORTANCE OF BREAST MILK
- DO IT YOURSELF
- ANDROCLES AND THE LION
- PERSEUS AND MEDUSA
- WAR ON THE GIANTS
- THE METAMORPHOSIS OF CERAMBUS
- FIRST LOVE
- A SHAM SACRIFICE
- THE DREAM OF LUCIAN
- PRAXITELES AND THE GODDESS
- CUPID AND PSYCHE
- A PICTURE OF PHAËTHON
- THE WEDDING FEAST
- CUPID CRUCIFIED
- A CLASSICS STUDENT
- THE PHOENIX
- THE TWICE-BORN GOD
- INTRIGUES AT THE PALACE
- A MEETING WITH LADY PHILOSOPHY
- ACKNOWLEDGEMENTS
- EXTENDED COPYRIGHT
- About the Author
- An Invitation from the Publisher
This is the story of Orpheus, a proud musician who lost his wife Eurydice to a snakebite and tried to rescue her from the Underworld. Within Virgil’s poem the tale is told by Proteus, a shape-shifting seer from the sea, to Aristaeus, a son of the god Apollo, who sought from him the reasons for his recent lack of good fortune. It transpires that Aristaeus had been lustily pursuing Eurydice through a forest when she stumbled upon the snake and died. Orpheus is allowed to enter the Underworld but can lead Eurydice free of it only if he resists the urge to look behind him to check she is still following him. In his poignant telling of the myth, Virgil focuses on the depth of Orpheus’ sorrow.
When Proteus seeking his accustomed cave
Strode from the billows: round him frolicking
The watery folk that people the waste sea
Sprinkled the bitter brine-dew far and wide.
Along the shore in scattered groups to feed
The sea-calves stretch them: while the seer himself,
Like herdsman on the hills when evening bids
The steers from pasture to their stall repair,
And the lambs’ bleating whets the listening wolves,
Sits midmost on the rock and tells his tale.
But Aristaeus, the foe within his clutch,
Scarce suffering him compose his aged limbs,
With a great cry leapt on him, and ere he rose
Forestalled him with the fetters; he natheless,
All unforgetful of his ancient craft,
Transforms himself to every wondrous thing,
Fire and a fearful beast, and flowing stream.
But when no trickery found a path for flight,
Baffled at length, to his own shape returned,
With human lips he spake, “Who bade thee, then,
So reckless in youth’s hardihood, affront
Our portals? or what wouldst thou hence?”—But he,
“Proteus, thou knowest, of thine own heart thou knowest;
For thee there is no cheating, but cease thou
To practise upon me: at heaven’s behest
I for my fainting fortunes hither come
An oracle to ask thee.” There he ceased.
Whereat the seer, by stubborn force constrained,
Shot forth the gray light of his gleaming eyes
Upon him, and with fiercely gnashing teeth
Unlocks his lips to spell the fates of heaven:
“Doubt not ’tis wrath divine that plagues thee thus,
Nor light the debt thou payest; ’tis Orpheus’ self,
Orpheus unhappy by no fault of his,
So fates prevent not, fans thy penal fires,
Yet madly raging for his ravished bride.
She in her haste to shun thy hot pursuit
Along the stream, saw not the coming death,
Where at her feet kept ward upon the bank
In the tall grass a monstrous water-snake.
But with their cries the Dryad-band her peers
Filled up the mountains to their proudest peaks:
Wailed for her fate the heights of Rhodope,
And tall Pangaea, and, beloved of Mars,
The land that bowed to Rhesus, Thrace no less
With Hebrus’ stream; and Orithyia wept,
Daughter of Acte old. But Orpheus’ self,