Chapters (110)
- COVER
- TITLE PAGE
- COPYRIGHT
- DEDICATION
- CONTENTS
- INTRODUCTION
- THE BIRTH OF LOVE
- THE ORIGINS OF THE TROJAN WAR
- THE TRUCE
- HECTOR VERSUS ACHILLES
- THE DEATH OF ACHILLES
- THE CYCLOPS
- THE SONG OF DEMODOCUS
- AND SO TO BED
- PROMETHEUS AND PANDORA
- WHATEVER ONE LOVES
- PERSEPHONE AND THE POMEGRANATE SEEDS
- THE LIFE OF AESOP
- THE BATTLE OF THE FROGS AND MICE
- THE VENGEANCE OF CLYTEMNESTRA
- EDUCATING CYRUS
- DARIUS AND THE SCYTHIANS
- XERXES’ CHOICE
- THE FALL OF THE BARBARIANS
- THE FAIREST OF THEM ALL
- A BEAST OF INDIA
- THE ECSTASY
- HIPPOLYTUS AND HIS HORSES
- EURIPIDES THE WOMAN-HATER
- OEDIPUS LEARNS THE TRUTH
- ONE GIRL VERSUS THE LAW
- THE PLAGUE AT ATHENS
- THE MURDER OF ERATOSTHENES
- THE POWER OF LOVE
- THE AGEING PROCESS
- THREE TYPES
- THE MISANTHROPE
- THE CONTEST OF TWO MOUNTAINS
- HERCULES AND THE TWELVE LABOURS
- ALEXANDER THE GREAT MEETS THE RAM GOD
- THE DEATH OF ALEXANDER
- THE CONSTELLATION OF THE MAIDEN
- THE MERCHANT
- EUROPA AND THE BULL
- TROUBLE COMES TO TOWN
- PHILOCTETES
- SLAUGHTER OF THE HUSBANDS
- THE GOLDEN FLEECE
- MEDEA’S REVENGE
- ARIADNE AND THESEUS
- ALCIBIADES
- IN THE BEGINNING
- SULPICIA’S BIRTHDAY
- THE TROJAN HORSE
- DIDO AND AENEAS
- ROMULUS AND REMUS
- THE GEESE ON THE CAPITOL
- THE RISE OF HANNIBAL
- ATTIS AND THE MOTHER GODDESS
- A COUNTRY VILLA
- SPARTACUS
- A WOMAN SCORNED?
- CICERO: FOR HIS DAUGHTER
- CAESAR VERSUS POMPEY
- DIVINE CAESAR
- ANTONY AND CLEOPATRA
- TO HEAL AN ASP BITE
- THE GNAT
- ORPHEUS AND EURYDICE
- NARCISSUS
- DIANA & ACTAEON
- PYGMALION
- OVID’S DEFENCE
- THE TOWN AND THE COUNTRY MOUSE
- THE EMPEROR’S SLAVE
- THE RICHES OF CALIGULA
- THE PUMPKINIFICATION OF EMPEROR CLAUDIUS
- THE STORY OF BRITAIN
- THE GREAT FIRE OF ROME
- DINNER AT TRIMALCHIO’S
- THE ERUPTION OF VESUVIUS
- ON LAMPSTANDS, THE DISCOVERY OF GLASS, ON THE DOLPHIN
- THE MADNESS OF HERCULES
- THE SIEGE OF JOTAPATA
- THE COLOSSAL TURBOT
- CANNIBALS IN EGYPT
- ACHILLES BECOMES A GIRL
- THE IMPORTANCE OF BREAST MILK
- DO IT YOURSELF
- ANDROCLES AND THE LION
- PERSEUS AND MEDUSA
- WAR ON THE GIANTS
- THE METAMORPHOSIS OF CERAMBUS
- FIRST LOVE
- A SHAM SACRIFICE
- THE DREAM OF LUCIAN
- PRAXITELES AND THE GODDESS
- CUPID AND PSYCHE
- A PICTURE OF PHAËTHON
- THE WEDDING FEAST
- CUPID CRUCIFIED
- A CLASSICS STUDENT
- THE PHOENIX
- THE TWICE-BORN GOD
- INTRIGUES AT THE PALACE
- A MEETING WITH LADY PHILOSOPHY
- ACKNOWLEDGEMENTS
- EXTENDED COPYRIGHT
- About the Author
- An Invitation from the Publisher
There are a few things to be done before the stories can begin. A slave must fetch a jug of water and pour it into a silver basin. The visitors shall wash their hands. A table is to be pulled up beside them and laid with bread and meat. Everyone shall eat and drink until they’re full. Then, and only then, will the hosts ask the guests about themselves. Who are they? Where have they come from? What is their story?
When I read Homer’s Odyssey for the first time, more than twenty years ago, what struck me most was how trusting people could be. The most civilized characters in the poem welcome strangers into their homes before they know so much as their names. As a child I found this extremely worrying. What if they were thieves? What if they were murderers? What if they ate all the bread and left their hosts wanting? Students of Homer are taught that such generosity is in keeping with established laws of hospitality: treat strangers as if they are your friends. But over the years I’ve come to see these acts as also redolent of the fact that the Greeks considered a good story worth waiting for. The bread-and-basin rituals outlined above usually serve as a prelude to storytelling. Odysseus, tossed across the sea after his raft is shattered in a sea-storm, washes up on an island called Scheria, where he is welcomed into a royal palace, fed, and prompted to speak. Relieved that he has finally reached civilization, he settles in to tell his hosts of the terrifying beings he has encountered on his journey home from Troy: one-eyed Cyclopes and singing Sirens, sleepy Lotus-Eaters and cannibalistic Laestrygonians, tricksy temptresses Circe and Calypso, the whims of tempestuous gods.
Homer’s Iliad and Odyssey are at once products and celebrations of a history of storytelling. Two of the oldest works of literature from the Western world, they were passed down orally before being written down in the late eighth or early seventh century BC, and continued to be performed down the centuries. It was in the course of assembling this anthology that I came to appreciate just how richly layered with stories they are. The Odyssey gives us stories as told by Odysseus, stories sung to Odysseus, stories told of Odysseus as he wends his way home to Ithaca. Many of the men who fight at Troy in the Iliad are skilled tellers of tales, not least of all Achilles, the mightiest fighter for the Greeks.