Back Nobody in Particular
Chapters (61)
  1. Copyright Notice
  2. Dedication
  3. AUTHOR’S NOTE
  4. ONE DANNI
  5. TWO ROSE
  6. THREE DANNI
  7. FOUR DANNI
  8. FIVE ROSE
  9. SIX ROSE
  10. SEVEN DANNI
  11. EIGHT ROSE
  12. NINE DANNI
  13. TEN ROSE
  14. ELEVEN ROSE
  15. TWELVE ROSE
  16. THIRTEEN ROSE
  17. FOURTEEN DANNI
  18. FIFTEEN DANNI
  19. SIXTEEN ROSE
  20. SEVENTEEN DANNI
  21. EIGHTEEN ROSE
  22. NINETEEN ROSE
  23. TWENTY DANNI
  24. TWENTY-ONE DANNI
  25. TWENTY-TWO DANNI
  26. TWENTY-THREE ROSE
  27. TWENTY-FOUR ROSE
  28. TWENTY-FIVE DANNI
  29. TWENTY-SIX ROSE
  30. TWENTY-SEVEN DANNI
  31. TWENTY-EIGHT ROSE
  32. TWENTY-NINE ROSE
  33. THIRTY DANNI
  34. THIRTY-ONE DANNI
  35. THIRTY-TWO ROSE
  36. THIRTY-THREE DANNI
  37. THIRTY-FOUR ROSE
  38. THIRTY-FIVE ROSE
  39. THIRTY-SIX DANNI
  40. THIRTY-SEVEN ROSE
  41. THIRTY-EIGHT DANNI
  42. THIRTY-NINE ROSE
  43. FORTY DANNI
  44. FORTY-ONE ROSE
  45. FORTY-TWO DANNI
  46. FORTY-THREE ROSE
  47. FORTY-FOUR DANNI
  48. FORTY-FIVE ROSE
  49. FORTY-SIX ROSE
  50. FORTY-SEVEN DANNI
  51. FORTY-EIGHT ROSE
  52. FORTY-NINE ROSE
  53. FIFTY ROSE
  54. FIFTY-ONE ROSE
  55. FIFTY-TWO DANNI
  56. EPILOGUE ROSE
  57. ACKNOWLEDGMENTS
  58. Also by Sophie Gonzales
  59. Praise Page
  60. ABOUT THE AUTHOR
  61. Newsletter Sign-up

I stare at it for a while, wrestling with myself. Then I run to the hall to check. It’s deserted. Everyone here is in the ballroom, which is about a mile away. I can barely hear them, so there’s no way anyone could hear me over the orchestra. So, no one would ever know, right?

I head back to the piano, splay my fingers over the white keys, and start playing from memory.

The melody begins slowly, delicately. The music resonates rich and deep, and the room’s acoustics give it an echo like I’ve never exactly heard before. I couldn’t ask for a better sound. Gradually, my heartbeat slows along with the tempo, and I fade out. I don’t exist outside of the music anymore. Maybe I never did. The point of my being lies in my fingertips and what they can translate on these keys. They know what they’re doing without me having to think. I watch my hands skirt across the keys, gaining momentum. On and on.

The special thing about music, I think, is how it connects people. Even if we don’t speak the same language, or like the same things. Even if we don’t like each other. I can sit at a piano and feel my feelings and play a song, and transplant those feelings into someone else without saying a word. And even when those feelings are sadness or grief, there’s a melancholy sort of beauty to them that makes the shared emotion welcomed.

I hate that I know all of this about music, and I still can’t use it for the purpose it’s meant for because I’m so terrified of that connection. Because opening myself up to strangers is putting myself on a platter for them to pick apart and criticize, and I just can’t. But I wish, right down to my soul, that I could. A part of me knows that if I could just learn to trust the world, I might be able to use music to do so much good in it. I was given a gift, and I work my butt off to cultivate that gift, and here I am at the final hurdle, wasting all of it because I can’t believe that if I let the world see me, it’ll like what it sees. Not when so many people in my past felt otherwise. And honestly, it’s felt like every time I’ve tried to explain this to someone—my piano teachers, my mom, Rachel—they haven’t gotten it. Why would I put this much time and effort into piano if I don’t want to perform?

God, the thing is, I do want to. I just don’t know how to become the sort of person who can.