Chapters (206)
- Praise for Maplecroft
- Title page
- Copyright page
- Contents
- ACKNOWLEDGMENTS
- THESE ARE THE THINGS AN EARTHQUAKE BRINGS
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- A DOCTOR, A LAWYER, A MERCHANT, A CHIEF
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- Phillip Zollicoffer, Professor of Biology, Miskatonic University
- Lizzie Andrew Borden
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- BE SURE YOUR SINS WILL FIND YOU OUT
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- I CROSS THE MAGPIE, THE MAGPIE CROSSES ME
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- Nance O’Neil
- THIS KNOT I KNIT, THIS KNOT I TIE
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- AND IF YOU HAVE A HORSE WITH ONE WHITE LEG . . .
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- THE WORST IS TO BE JUDGED WITHOUT HOPE
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- Lizzie Andrew Borden
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- BUT NETTLE SHANT HAVE NOTHING
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- CUT THEM ON FRIDAY, YOU CUT THEM FOR SORROW
- Phillip Zollicoffer, Professor of Biology, Miskatonic University
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- HAPPY IS THE CORPSE THAT THE RAIN SHINES ON
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- A DWELLING PLACE OF JACKALS, THE DESOLATION FOREVER
- Lizzie Andrew Borden
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- Nance O’Neil
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- RIGHT CHEEK, LEFT CHEEK—WHY DO YOU BURN?
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- Aaron B. Stewart, Fire Chief, Farthington, Mass.
- Emma L. Borden
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- Gerald Macintyre, Telegraph Clerk, Western Union
- Owen Seabury, M.D.
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- Physalia, Z. University I Was Not Now
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- DEPART, ALL ANIMALS WITHOUT BONES
- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Owen Seabury, M.D.
- Phillip Zollicoffer. Physalia Zollicoffris.
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- Christoff Dane, M.D., Ph.D., University of Rhode Island, Kingston
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Emma L. Borden
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- FAMILY SLAIN IN MAYFIELD
- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Inspector Simon Wolf
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Nance has accused me, once or twice in teasing, of being a sentimental old fool. She’s right, absolutely.
She’s also young—very young. So young it’s all the more inappropriate, how we carry on between ourselves. Carelessly, it’s been said. Wantonly, it’s been accused. Nance wouldn’t argue with either one; she would laugh instead, and add her own descriptors with even less propriety. But women her age, barely out of their teens and with the whole world before them, they haven’t yet had time to lose the things they love. Every affair is a fairy tale or a tragedy, and either one is fine so long as the story is good. Every love is all or nothing, and even their “nothings” are poetry. They don’t yet know how the years fade and stretch the highs and the lows, wearing them thin, making them vulnerable. They haven’t yet known much of death.
I don’t think I’m talking about Nance anymore.
It doesn’t matter. She won’t come again for weeks, maybe months. And I won’t hold that against her.
I can’t. I’m the one who asked her to stay away.
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Upon reaching the cellar’s floor I turned on the two largest gaslights, and the bleak, cluttered space was flooded with a quivering white light that joined the illumination from the stairs. I blinked against it. I set one hand on the nearest table and leaned there while my eyes adjusted, and when they did, I took a very deep breath and considered the week’s samples.
My laboratory is a large open room, undivided except by two rows of three tables each. Several of the tables are occupied by jars of assorted sizes, ranging from tubes as small as my thumb to bigger containers that could easily hold a loaf of bread. Floating within them in an alcohol solution are things I’ve collected over the last two years. Some are recognizable as varieties of ordinary ocean flora and fauna, and some are not. I’ve gathered plants, fish, sea jellies, crustaceans, and cephalopods by the score, and I’ve cataloged them all by their deformities. Some are laden with so many aberrations that it’s impossible to tell what the original species might have been; some have minor exterior problems, though these malformations often mask more obvious internal ones.
For example, one of my larger jars holds a brown octopus (octopus vulgaris) with two distinct heads and three extra tentacles. Upon a cursory dissection of it, I discovered that it also had twice the usual complement of hearts—which is to say six of them. Two of these hearts were pitiably underdeveloped, but distinct and bafflingly present.