Chapters (206)
- Praise for Maplecroft
- Title page
- Copyright page
- Contents
- ACKNOWLEDGMENTS
- THESE ARE THE THINGS AN EARTHQUAKE BRINGS
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- A DOCTOR, A LAWYER, A MERCHANT, A CHIEF
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- Phillip Zollicoffer, Professor of Biology, Miskatonic University
- Lizzie Andrew Borden
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- BE SURE YOUR SINS WILL FIND YOU OUT
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- I CROSS THE MAGPIE, THE MAGPIE CROSSES ME
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- Nance O’Neil
- THIS KNOT I KNIT, THIS KNOT I TIE
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- AND IF YOU HAVE A HORSE WITH ONE WHITE LEG . . .
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- THE WORST IS TO BE JUDGED WITHOUT HOPE
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- Lizzie Andrew Borden
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- BUT NETTLE SHANT HAVE NOTHING
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- CUT THEM ON FRIDAY, YOU CUT THEM FOR SORROW
- Phillip Zollicoffer, Professor of Biology, Miskatonic University
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- HAPPY IS THE CORPSE THAT THE RAIN SHINES ON
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- A DWELLING PLACE OF JACKALS, THE DESOLATION FOREVER
- Lizzie Andrew Borden
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- Nance O’Neil
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- RIGHT CHEEK, LEFT CHEEK—WHY DO YOU BURN?
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- Aaron B. Stewart, Fire Chief, Farthington, Mass.
- Emma L. Borden
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- Gerald Macintyre, Telegraph Clerk, Western Union
- Owen Seabury, M.D.
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- Physalia, Z. University I Was Not Now
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- DEPART, ALL ANIMALS WITHOUT BONES
- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Owen Seabury, M.D.
- Phillip Zollicoffer. Physalia Zollicoffris.
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- Christoff Dane, M.D., Ph.D., University of Rhode Island, Kingston
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Emma L. Borden
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- FAMILY SLAIN IN MAYFIELD
- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Inspector Simon Wolf
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But I don’t know any such thing. And more likely, the possibilities measure in the billions—or are altogether endless. I shudder to consider it, but I’d be a fool if I didn’t.
So I go on wishing. I wish for the prospect of a definite finale, and I wish I were not alone.
That would make things easier, too—if there were someone else to share the burden, apart from poor Emma. And though she appeared invulnerably strong when I was a child (due in part to the ten-year difference in age between us), in our middling years her health has failed her in a treacherous fashion. Often she’s confined to a bed or a seat, and she coughs with such frequency that I only notice it anymore if she’s stopped. Consumption, everyone supposes. Consumption, and possibly the shock of what befell our father and Mrs. Borden.
That’s the rest of what everyone supposes, and that’s probably true, in its way. It’s true that Emma has never been herself since those last weeks when she fled the house, insisting that something was wrong and that she felt a hideous suffocation, and she needed to find some other air to breathe.
That’s how she put it. Finding other air to breathe.
At the time we assumed she only wanted a change of scenery from the fighting, the bickering, and the sudden appearance of William—and all the difficulties he inspired.
True, true. All of it true, but incomplete.
We were both contaminated by something, by whatever took the other Bordens. It worked its way inside us, too—whether by breath, or through the skin, or through something we consumed, still I cannot say. All I can do is pray that we caught it in time, and that we have removed ourselves beyond its influence . . .
Alas.
I almost wrote, “before any permanent damage was done.” But then I thought of Emma and her fragile lungs, and her bloodied handkerchiefs. And I thought also of my poisoned dreams and the awful visions that sometimes distract me even while waking. I often believe in retrospect that they’re telling me something crucial . . . but doesn’t every dreamer insist that every dream is meaningful at the time? However, in the retelling, the dreams (and my visions) are trite at best, disturbing at worst.
I will not burden Emma with them, for she is burdened enough with her own body’s complaints. And I don’t have anyone else to tell, not really. Not except for Nance, and I fear to the point of fretful, bowel-clenching sickness that I might chase her away even without the secrets that darken the space between us. Little though I see her lately, since her most recent job for that director, Peter Rasmussen . . . still I value beyond my life the time I spend with her beside me.