Chapters (206)
- Praise for Maplecroft
- Title page
- Copyright page
- Contents
- ACKNOWLEDGMENTS
- THESE ARE THE THINGS AN EARTHQUAKE BRINGS
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- A DOCTOR, A LAWYER, A MERCHANT, A CHIEF
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- Phillip Zollicoffer, Professor of Biology, Miskatonic University
- Lizzie Andrew Borden
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- BE SURE YOUR SINS WILL FIND YOU OUT
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- I CROSS THE MAGPIE, THE MAGPIE CROSSES ME
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- Nance O’Neil
- THIS KNOT I KNIT, THIS KNOT I TIE
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- AND IF YOU HAVE A HORSE WITH ONE WHITE LEG . . .
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- THE WORST IS TO BE JUDGED WITHOUT HOPE
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- Lizzie Andrew Borden
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- BUT NETTLE SHANT HAVE NOTHING
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- CUT THEM ON FRIDAY, YOU CUT THEM FOR SORROW
- Phillip Zollicoffer, Professor of Biology, Miskatonic University
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- HAPPY IS THE CORPSE THAT THE RAIN SHINES ON
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- A DWELLING PLACE OF JACKALS, THE DESOLATION FOREVER
- Lizzie Andrew Borden
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- Nance O’Neil
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- RIGHT CHEEK, LEFT CHEEK—WHY DO YOU BURN?
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- Aaron B. Stewart, Fire Chief, Farthington, Mass.
- Emma L. Borden
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- Gerald Macintyre, Telegraph Clerk, Western Union
- Owen Seabury, M.D.
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- Physalia, Z. University I Was Not Now
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- DEPART, ALL ANIMALS WITHOUT BONES
- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Owen Seabury, M.D.
- Phillip Zollicoffer. Physalia Zollicoffris.
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- Christoff Dane, M.D., Ph.D., University of Rhode Island, Kingston
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Emma L. Borden
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- FAMILY SLAIN IN MAYFIELD
- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Inspector Simon Wolf
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Yes, again, I’m mired in uncertainties and suspicions, but I have taken all the precautions I can. More than likely, at least half of them don’t work. But when I don’t know what works and what does not work, all I can do is throw it all in together, and trust that some measure of success will result, even if that success is diluted by imprecision.
So there is a box that is lined with lead and sealed with iron bands, and inscribed with unsettling symbols, and buried in the earth, beneath the rowan-wood boards that make up the floor of my basement.
I reached down into the hole and fumbled with the latches until it was unfastened all around, and then I lifted the lid for no good reason whatsoever. I’d like to say that the motion was dreamlike on my behalf, that I scarcely recall doing it; but this isn’t quite true, because I remember watching my arm extend, and my fingers manipulate the fasteners, and then lift the lid. I recall every bit of this, and in my recollection, I was fully in control of myself.
Except that I can’t have been.
Because now, with some distance from that box and that basement, I know full well that it was a dangerous, absurd thing to do—and that not all the gold in the world, nor all the threats or complaints, could ever persuade me to open it right now, with nothing to add to its treasure.
And I jot this down, all of it, in case—upon eventual review—some pattern is revealed. These journal entries are already helping, for now I can see, going back over last month’s notes, that there’s a proximal effect to the lure of the box. The farther I remove myself from its contents, the less they affect me.
If I had any sense, I’d relocate to the desert or the mountains, and be done with this whole business once and for all.
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I gazed into the box, upon six bits of stone or glass, all varying in their respective radiance and greenness. They go from the sickly yellowish shade of a toad’s belly to a rich seaweed that could nearly be described as emerald. The smallest is the size of a child’s fingernail. The largest is as big as a plum. All of them are beautiful. Very beautiful. So beautiful it’s all but impossible to take one’s eyes away, even though they look like nothing more alarming than bits of sea glass, glittering weakly at the bottom of a reinforced box.