Chapters (206)
- Praise for Maplecroft
- Title page
- Copyright page
- Contents
- ACKNOWLEDGMENTS
- THESE ARE THE THINGS AN EARTHQUAKE BRINGS
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- A DOCTOR, A LAWYER, A MERCHANT, A CHIEF
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- Phillip Zollicoffer, Professor of Biology, Miskatonic University
- Lizzie Andrew Borden
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- BE SURE YOUR SINS WILL FIND YOU OUT
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- I CROSS THE MAGPIE, THE MAGPIE CROSSES ME
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- Nance O’Neil
- THIS KNOT I KNIT, THIS KNOT I TIE
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- AND IF YOU HAVE A HORSE WITH ONE WHITE LEG . . .
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- THE WORST IS TO BE JUDGED WITHOUT HOPE
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- Lizzie Andrew Borden
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- BUT NETTLE SHANT HAVE NOTHING
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- CUT THEM ON FRIDAY, YOU CUT THEM FOR SORROW
- Phillip Zollicoffer, Professor of Biology, Miskatonic University
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- HAPPY IS THE CORPSE THAT THE RAIN SHINES ON
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- A DWELLING PLACE OF JACKALS, THE DESOLATION FOREVER
- Lizzie Andrew Borden
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- Nance O’Neil
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- RIGHT CHEEK, LEFT CHEEK—WHY DO YOU BURN?
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- Aaron B. Stewart, Fire Chief, Farthington, Mass.
- Emma L. Borden
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- Gerald Macintyre, Telegraph Clerk, Western Union
- Owen Seabury, M.D.
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- Physalia, Z. University I Was Not Now
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- DEPART, ALL ANIMALS WITHOUT BONES
- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Owen Seabury, M.D.
- Phillip Zollicoffer. Physalia Zollicoffris.
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- Christoff Dane, M.D., Ph.D., University of Rhode Island, Kingston
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Emma L. Borden
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- FAMILY SLAIN IN MAYFIELD
- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Inspector Simon Wolf
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When I first discovered it, the object was approximately the size of a small melon, and it lacked any geometric shape to speak of. If I were to assign it any general description, I’d say that it looked like a very large hand grabbed a fistful of the ocean bottom and squeezed until the sediment became stone. It was roughly column-like, with bits of finny fluting. Primarily it was white, or the swirled browns and bleached hues of ocean detritus.
I found it on one of my evening walks on the beach, after dark with a lantern. And at the risk of sounding hysterical, I believe that I felt it. I believe that it called me, and I heard it.
So I retrieved it, setting my lantern on the sand and hefting the rock into my hands, holding it there. Though it was in no way shaped like a shell, I held it up to my ear and listened—for what, I cannot say.
But this draw, this lure. I’ve felt it before and I don’t yet understand the full implications of what it means, but I know I should’ve taken more care with the sample. I should’ve wrapped it in my apron and carried it that way, without touching it bare-handed, but I didn’t. I cradled it in one naked arm and held my light aloft with the other, all the way back home.
There, I returned to my senses and dumped it into the jar full of acid to let science sort it out.
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I forcibly tugged my attention away from the bubbling, hypnotic jar and turned instead to a box I keep buried beneath the floor.
With a quick pop of a pry bar at just the right spot, a row of boards slipped out of place. My floor is not as seamless and immutable as it appears; it is riddled with compartments such as this one.
Some people keep cupboards in a wall. I keep them in the ground.
Beneath this lid, which I’d disguised as flooring, a box squatted—smelling of wet soil and worms, and moss, and lichen, and whatever else blackens the earth below my home. I could have pried it out and brought it up to the floor, but I chose not to. For some reason, I felt that the box was safest right there, underneath everything. Underneath my house, my basement, my floor.
I would bury it deeper if I could, but I need to keep it within reach, this little repository of evil. Soon, I might need to add to its contents—depending on what lies at the heart of that strange mass which dissolves by atoms on the back right table.
I’m not sure what made me reach into the hole and touch the iron-bound top of that box.