Chapters (53)
- Dedication
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Chapter Forty-Six
- Chapter Forty-Seven
- Epilogue
- Preview of Malice
- Preview of Incognito
- Acknowledgments
- About the Author
“Goonies always say live,” Stewart says.
“No!” My eyes widen, and all three of them bust up laughing.
“She passed,” Sophia says.
“We think the quote changed sometime during the Positivity Movement of the 20Y0s,” Stewart says.
“Goonies never say die,” Rayelle and Sophia say at the same time.
“I can’t believe you guys know that movie,” I say, shaking my head. “It’s ancient.”
“Stewart told us you were a fan,” Sophia says. “Which is a weird coincidence because we’ve seen it dozens of times.”
In awe that I’ve found my tribe, I smile and add my hand to the pile.
“Always say die, never say live.”
Chapter Twenty-Two
Chapter Twenty-Two
January 2, 20X6, Keystone
Exiting the Acropolis, I tell Rayelle, Stewart, and Sophia I have secret heist research to do and promise to meet them for dinner. We part ways, and I go straight to my secret library. With Garrett and the heist demanding my full attention, I’m eager to get to the end of my journal. I’m ready to move on.
February 21, 20X5
Truth: Nothing can tear me down. There’s always a way. I’m a survivor.
No goodbyes. No explanations. My parents confiscated my devices, changed my passwords, and shipped me to Savannah, where I was to film Unseen, a low-budget movie targeting the Maker market by using physical locations instead of green screens. According to the Myrna-bot who had taken over manning my Network feeds, I was “doing it for the art.” They had officially turned me into the virtual daughter they’d always wanted.
In some ways, it was a relief to put my Network feed on autopilot, but I was also cut off from Adam’s stream, and I was desperate for contact. I at least wanted to say goodbye. The moment Bernard—the robo-guard assigned to keep me under constant surveillance—deposited me in my hotel room, locking the door from outside and taking up residence in the threshold, I frantically searched for a communication device. The hotel was a few years past its prime and—probably thanks to my parents—there was no Network access, no screens, no computer, and no VR in my room. There was only a desktop robot, who asked me if I wanted room service before going on the fritz and sounding the wake-up alarm. The buzzer shrieking in my ears, I slammed the robot against the floor until he shut up.