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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

‘I know,’ said Leon again. ‘No fish factory now. No money for Leon. No money for you, rajah. My beautiful idea kaput.’

OUT OF REACH

Jane left Julietta’s bed at dawn and walked back to Tite Street.

She asked for hot water and washed herself. She felt dizzy from lack of sleep, but was now concerned only with getting back to the hospital to rescue Emmeline. She knew that the day in front of her would be long and difficult, but her hours with Julietta had been so extraordinary, they had given her both peace and strength.

As she washed herself, she looked at her body in the mirror. It appeared to her the same as it always appeared. If she was indeed pregnant, it would still be so early in the process that she told herself she wouldn’t even think about it – not yet. Carrying Julietta in her heart and in her blood, she would now begin her fight to get Emmeline back. She had brought to London the gown she wore as the Angel of the Baths and she would now put this on. All the skill she possessed would be directed at making Emmeline well and placing her gently back in the life she loved.

She ordered Nancy to go out and buy fresh loaves, milk and oysters and to ask at the chemist for a strong fruit cordial and a balsam of camphor. She supervised the laying of clean starched sheets on Emmeline’s bed and searched her studio for books she might read aloud to her, pressing to her breast the poems of Tennyson, Browning and Christina Rossetti. She prepared a warming pan. She mixed tooth powder in a small dish. Then she went out into the neglected garden and searched the tangled area for flowers. She found a few pansies clustering under brambles and picked these and arranged them in a little cut-glass vase, which she placed on Emmeline’s dressing table. She took one of Emmeline’s turbans from a hat box and put it into a canvas holdall.

Then she set forth in a Hansom Cab for the hospital. On the short journey, she found herself summoning thoughts of her own mother, never known by Jane, her life ending only minutes after her daughter’s began. Her name was Alice. By Sir William’s account, Alice had been ‘a person to whom human kindness came as easily as breathing’ and it was often said of her that she had never ‘done any wrong in the world’. And Jane thought now, ‘I have done wrong – in the eyes of English society, which forbids love between women. I will do wrong again.’ And she wondered, with sudden sadness, whether this kindly mother, this perfect Alice, would have cast her daughter out from her affection because of her sexual transgressions. Was it better, she wondered then, that Emmeline had had to play the motherly role – she who had given birth to nothing but half-formed creatures, ejected from her body in agony and memorialised in a clay golem, but who seemed to understand so well what was in Jane’s nature and in her heart? Had Alice died, knowing that her daughter would come to need a different mother?