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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

At this, he stood up, wanting to make an impromptu speech before he and the assembled company were so stunned by the arrival of the fruit compotes, the apple charlottes and the rhubarb syllabubs that they lost all comprehension of where they were and on what glass of wine they were now embarked. He held up his hands, like a conductor readying his orchestra for the first note of a symphony. When the noise had diminished to a level at which Sir William could hear his own thoughts, he said, ‘I will not keep you long from our great assortment of puddings, for I know that a pudding may be a much more marvellous thing than the sentimental words of an old man.’

To this there were cries of ‘no, no!’ and ‘not true, Sir Will!’ He heard Clorinda’s laughter beside him and the thought that he would hear this in his house to his dying day put a choke into his heart and his next words were spoken with the kind of tremble in his voice which he always did his very best to subdue when talking to his patients.

‘You all know,’ he said, ‘how long I have led a solitary life. Until last year, I believed that I would never love again. But then I heard a story. It was the story of a girl taken to stay with her grandfather, who lived in a lonely place, facing out to the ocean. She helped him gather sea-pinks for his table and samphire for his supper and she ran barefoot over the dunes and slept in a wooden cot with a doll made of rags.

‘Can any of us say for certain what is going to move us, or what is going to leave us cold? I do not know why or how the story of the barefoot girl entered my heart, but it did. And then I looked at the face of the woman who told me the story and realised that it moved me too – moved me to feelings of love.

‘And here is what this old man wants to say today: that he is overwhelmed with gratitude towards his bride, for revealing to him that love and happiness may be found towards the last turnings in the road of life and for agreeing to become the wife of someone who is so very out of practice at being a husband.

‘All of you assembled here owe a debt to Clorinda Morrissey, for giving our city a beautiful little island of refuge and delight, and let me reassure you that I will not make so many demands on her time that the tea room cannot continue to exist. For it is the place where we come not only to savour a slice of Clorinda’s fabled Victoria Sponge, but to pause in the onward rush of our lives, to sip the fragrant Assam and to ponder where we are going and what we have seen. The debt that I owe her is of profound significance and I want to thank her from the depths of my heart.’