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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

They put up in wayside inns, where travelling salesmen seemed to be the only other guests, going from farm to farm with smudged brochures offering new steam-driven machinery that none but rich landowners could afford. Against these men, adrift on their tides of frustration and disappointment, they locked their door at night. Clorinda was not surprised that Aisling wanted to reach out before she slept to hold her aunt’s hand. She clutched it tight. She told the girl about her tea room, which had been born out of an old funeral parlour, and how death and sorrow could be conquered by visions of new things. She described the galas she had attended in Bath, with their carousels and their fireworks, and told her about the handsome Belgian acrobat who had fallen off his stilts and lain in the dust, looking ridiculous. She heard Aisling laugh. And when the laughter faded, the girl said, ‘that was a strange feeling. I don’t think I have laughed very much in my life before, except once, at a mouse which ran up the side of the bread bin and turned a somersault.’

When they came to the house, near Ennistymon, where the grandfather had lived his solitary life, they found it occupied by a pair of sisters, the Misses McKinnon, creeping unobserved into middle age. One of them, Miss Elizabeth, spent her days in the old barn, painting pictures of birds and sailing ships, while the other, Miss Maeve, milked their goats, fed their chickens and kept the house. And when these woman saw Aisling, wearing her poor city clothes and with her bonnet all askew, they looked at her with longing. They had never had a child to love and now here was an eleven-year-old girl at their door, who was thin and lost-seeming, and they wanted to take her in and set before her the elder Miss McKinnon’s oyster pie and make a bed for her with their best linen sheets and teach her the pet names of their goats.

Though Clorinda said that they would find an inn nearby in Ennistymon, the McKinnon sisters, learning that their house had once belonged to Clorinda’s grandfather, would not hear of them leaving. They were shown to an attic room, now furnished with a wooden bed and a painted chest of drawers and hung with Miss Elizabeth’s bright pictures, and when Clorinda went in there, she remembered what it had housed in her grandfather’s time: a sewing machine with an old black handle and piles of cured animal skins, from which he fashioned the tawdry coats and mufflers which he sold to the people of Ennistymon and which kept him in silver sixpences and tobacco all through the winter.

Clorinda told Aisling that she had longed for one of Grandpappy’s rabbit-skin coats and he kept promising that he would make her one ‘to keep you warm in that sinful city of Dublin’, but it had never come her way. But now, as she lay in the wooden bed, holding Aisling’s hand, she fancied that the smell of rabbit and fox had lingered in the attic after all these years – the perfume of the past, caught in the wainscot and in the dusty space beneath the floor.