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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

If Ross wanted to believe that he was punishing Jane by disdaining to attend Emmeline Adeane’s funeral, he also knew that he was deluding himself. He was not there because Jane had not deigned to invite him. He sat in his rooms in Edgars Buildings, fighting dark feelings of intense hurt and anger. He said aloud to the peeling wallpaper of his sitting room, ‘This cannot go on.’

Jane, meanwhile, was grateful that he was not beside her in the church. While the scented air was filled with passionate singing and Sir William gave a heartfelt oration on ‘the great and generous spirit of my sister’, Jane sat between Julietta and Clorinda Morrissey and both of them held onto her and let her cry. Ashton Sims, sitting just behind them, now and then reached out a comforting black-gloved hand and laid it tenderly on Jane’s shoulder.

On the coffin, Jane had suggested, a large spray of lilies, expensively imported from Southern Europe, should be placed, but she had also gone out into Emmeline’s untidy garden and cut branches of bramble and asked the florist to arrange these among the lilies, explaining to him that her aunt had been, on the one hand, as serene and beautiful as a lily but that she had only been able to persevere as an artist in a man’s world by being ‘brave enough to display her thorns from time to time’. If the florist was tempted to protest that he might scratch his delicate fingers with the wretched briars, he did not do so and when the arrangement was complete and laid on the casket, he prided himself that it was strangely pleasing ‘and more original than any funeral spray he had ever seen’.

Respecting Emmeline’s tastes, Jane ordered ballotine of chicken with pickled radishes and champagne to be served to the funeral guests at Tite Street. She walked slowly among them, her weeping now held in check by her sipping of her favourite drink, and was surprised and pleased to note that Ashton Sims had brought Guy Mollinet with him, the French author being in London for the launch of the English edition of his novel, Morgue.

‘Forgive my uninvited presence,’ Mollinet said to Jane, ‘but as you know, all that pertains to death is of passionate interest to me. Ashton thought I might be moved by the English way of saying goodbye …’

‘You are welcome here, Monsieur Mollinet. Is the ballotine to your liking, or do they make it much better in Paris?’

‘Oh, it is very good. For London.’

‘Oh “for London”? Yes, I do see. And were you moved by the church service?’

‘I thought the singing was quite fine, and I much liked the briars on the coffin. I suppose this is an English convention, is it, to remind us that life’s road is difficult?’

‘No,’ said Jane. ‘It was just something I felt was right for my aunt. The arrangements all fell to me, for it seems that Emmeline has left me almost everything she had.’