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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Jane Adeane had now drained the last dregs of tea left in her cup, as if she yearned to make some diversion from the subject of contrivances and hand-holding by drinking it. Then, she’d looked round the room and her gaze had taken in the dog now yapping fretfully at his mistress’s feet. The dog wanted to escape and this was also now what Jane desired – to be far away from Valentine Ross. As for him, he must surely have understood that his proposal had been a mistake of the gravest consequence and that his life – and Jane’s – in Bath would never be the same again.

Jane had adjusted her posture, raising her head as high as she could make it go, and looked down upon Ross.

‘I am sorry,’ she said. ‘I am truly sorry that you should feel ill on my account, but there is nothing to be done about it. The cure you want is not within my power to give.’

She unfolded herself from the chair and stood up. Any short-sightedness she may have betrayed on entering the tea room, was no longer apparent. She glanced back at Mrs Morrissey waiting at the cake counter and nodded politely to her. Then she strode quickly to the door.

That night, Valentine Ross pondered his behaviour and Jane’s prior to the tragedy (or perhaps it was merely a farce?) that had occurred in the tea rooms. For a long time, he’d believed that there was an absolute logic to this marriage and that no man had ever been more certain about where his future lay. He had even congratulated himself on holding back from asking for Jane’s hand for several months after coming to the realisation of all that she meant to him. He had held back in order to look for signs that his affection for her might be returned – and he’d thought he’d found them. But he now saw that what, in fact, he’d found was not much more than Jane’s polite respect for him as a doctor and a fondness for teasing him, which he’d foolishly mistaken for sublimated passionate regard.

He cursed himself for being blind and dumb. And yet there had been one or two occasions when Ross believed he’d caught a glimpse of romantic feelings in Jane.

One of these had been the night of the Chopin Recital at the Assembly Rooms – so ineffectually referred to across the cake stand. Before this, he had always remembered the evening with furious joy. Jane had appeared so magnificent in her blood-red dress and her bird’s feather that the eyes of many other concert-goers had lighted on her, as they walked through to the concert salle, and, as if to shelter herself from these admiring looks, Jane had taken his arm and when he’d placed his hand upon hers, tucked into the crook of his elbow, she hadn’t taken it away. Indeed she had smiled at him. Smiled! As if to say, ‘yes, we are comfortable like this. You understand it and I understand it. So perhaps this is how we might remain?’