Back Hip Logic Save as PDF
Chapters (67)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. I. At the First Clear Word
  5. emcee
  6. TOUCH
  7. THETHINGS- N O - ONE- KNOWSBLUES
  8. ARSPOETICA# 789
  9. HIP LOGIC
  10. SONNET
  11. M R . T—
  12. SHAFT & THE ENCHANTED SHOE FACTORY or ARSPOETICA: THE EPIC QUEST FOR LANGUAGE
  13. SQUAWK
  14. BUTTER
  15. ORIGIN OF THE DAYS
  16. GOSPEL OF THE TWO SISTERS
  17. II. A Gram of &s
  18. abductor
  19. although
  20. ambulance
  21. apothecary
  22. beckoned
  23. bowling
  24. breathe
  25. careless
  26. corporal
  27. example
  28. III. Conjure
  29. FRIDAY POEM
  30. FOR PAUL ROBESON
  31. DIEGORIVERA—DAMADEBLANCO, 1939
  32. FOR ROBERT HAYDEN
  33. BROKEN DANGERFIELDNEWBYVILLANELLE
  34. WILLIAM H. JOHNSON
  35. ODE TO BALTHUS
  36. “THE GULF STREAM”/ FOURSTUDIES
  37. II. Fishmonger / Libation
  38. III. The Sea / Temptation
  39. IV. Self Portrait / Vision
  40. SLEEPING WOMAN
  41. STILL MUSIC
  42. IV. A Gram of &s
  43. gander
  44. general
  45. masculine
  46. nuclear
  47. overseas
  48. preface
  49. repaid
  50. saintly
  51. segregate
  52. stupor
  53. toenails
  54. V. The Law of Falling & Catching Up
  55. FIRE
  56. GUN/ WOMAN/ S O N
  57. HEARTTHROB
  58. MOTHER TOSON
  59. BLUES PROCESSION
  60. FLORIDA
  61. THE FLAME
  62. ODETO STONE
  63. ALTER CALL
  64. AUTUMN
  65. THE SAME CITY
  66. NOTES
  67. Acknowledgements

The rain falling on a night
in mid-December,
I pull to my father’s engine
wondering how long I’ll remember
this. His car is dead. He connects
jumper cables to his battery,
then to mine without looking in
at me & the child. Water beads
on the windshields, the road sign,
his thin blue coat. I’d get out now,
prove I can stand with him
in the cold, but he told me to stay
with the infant. I wrap her
in the blanket staring
for what seems like a long time
into her open, toothless mouth,
and wish she was mine. I feed her
an orange softened first in my mouth,
chewed gently until the juice runs
down my fingers as I squeeze it
into hers. What could any of this matter
to another man passing on his way
to his family, his radio deafening
the sound of water & breathing
along all the roads bound to his?
But to rescue a soul is as close
as anyone comes to God.
Think of Noah lifting a small black bird
from its nest. Think of Joseph
raising a son that wasn’t his.

Let me begin again.
I want to be holy. In rain

I pull to my father’s car
with my girlfriend’s infant.
She was pregnant when we met.
But we’d make love. We’d make
love below stars & shingles
while the baby kicked between us.
Perhaps a man whose young child
bears his face, whose wife waits
as he drives home through rain
& darkness, perhaps that man
would call me a fool. So what.
There is one thing I will remember
all my life. It is as small
& holy as the mouth
of an infant. It is speechless.
When his car would not stir,
my father climbed in beside us,
took the orange from my hand,
took the baby in his arms.
In 1974, this man met my mother
for the first time as I cried or slept
in the same city that holds us
tonight. If you ever tell my story,
say that’s the year I was born.
for James L. Hayes

NOTES

NOTES

“LORDE” The poem is made up of whole and partial lines in the index (under W) of The Collected Poems of AUDRE LORDE.

A GRAM OF &S The poems are based on the daily word game found in the puzzle section of many syndicated newspapers. I end each line with one of the eleven words derived from the title word, while abiding by the other rules of the game: 1. Words must be derived from four or more letters. 2. Words that acquire four letters by the addition of “s,” such as “bats” or “dies” are not used. 3. Only one form of a verb is used.

“BROKEN DANGERFIELD NEWBY VILLANELLE” The poem is inspired by the death of Dangerfield Newby, one of the five black men involved in John Brown’s raid on Harper’s Ferry. Newby had joined Brown as a last hope to free his wife and six children from slavery. He was the first killed.

Acknowledgements

ACKNOWLEDGMENTS