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Chapters (67)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. I. At the First Clear Word
  5. emcee
  6. TOUCH
  7. THETHINGS- N O - ONE- KNOWSBLUES
  8. ARSPOETICA# 789
  9. HIP LOGIC
  10. SONNET
  11. M R . T—
  12. SHAFT & THE ENCHANTED SHOE FACTORY or ARSPOETICA: THE EPIC QUEST FOR LANGUAGE
  13. SQUAWK
  14. BUTTER
  15. ORIGIN OF THE DAYS
  16. GOSPEL OF THE TWO SISTERS
  17. II. A Gram of &s
  18. abductor
  19. although
  20. ambulance
  21. apothecary
  22. beckoned
  23. bowling
  24. breathe
  25. careless
  26. corporal
  27. example
  28. III. Conjure
  29. FRIDAY POEM
  30. FOR PAUL ROBESON
  31. DIEGORIVERA—DAMADEBLANCO, 1939
  32. FOR ROBERT HAYDEN
  33. BROKEN DANGERFIELDNEWBYVILLANELLE
  34. WILLIAM H. JOHNSON
  35. ODE TO BALTHUS
  36. “THE GULF STREAM”/ FOURSTUDIES
  37. II. Fishmonger / Libation
  38. III. The Sea / Temptation
  39. IV. Self Portrait / Vision
  40. SLEEPING WOMAN
  41. STILL MUSIC
  42. IV. A Gram of &s
  43. gander
  44. general
  45. masculine
  46. nuclear
  47. overseas
  48. preface
  49. repaid
  50. saintly
  51. segregate
  52. stupor
  53. toenails
  54. V. The Law of Falling & Catching Up
  55. FIRE
  56. GUN/ WOMAN/ S O N
  57. HEARTTHROB
  58. MOTHER TOSON
  59. BLUES PROCESSION
  60. FLORIDA
  61. THE FLAME
  62. ODETO STONE
  63. ALTER CALL
  64. AUTUMN
  65. THE SAME CITY
  66. NOTES
  67. Acknowledgements

Let me varnish them blue
& brush them with salt
as a lover should do.

Leagues of stars have fallen
against me;
a procession of lovesick moons.

I am a willful woman
walking to church
in black shoes,

The one who can bend
the coast;
the one who can juggle
storms & pearls
in a mouth
that will never grow old.

Let me tell you the legend
of the widow whose tears
filled seven valleys.

Let me varnish your bones.
I know of a room
where no hours are kept.

Let me dress them in salt.
Let me fill you with a bounty
more enduring than breath.

IV. Self Portrait / Vision

IV. Self Portrait / Vision

The man tells nothing. He carries nothing,
He is covered by almost nothing,
But strokes of light.

He knows what I would like to know:
How a white man came to paint beauty
Into a black man’s face,
& why he left sharks slashing the water below his feet?

But he does say.
I am not his kin. I, who was born
Of a people who never learned to swim,
People who had no word
For the blue line that divides each day;
This is why he does not look my way.

So we pine for his never-minding scowl:
Homer at his easel in 1899,
As the harbor filled with saltwater & lightning;
& me these last months
I’ve spent staring at the painting
As rain & wind walked hand in hand into this city.

Did he know it would storm that day,
This mariner or fishmonger,
This refugee backtracking
Through the Middle Passage,
Kingdom of the unsalvaged, the hushed fathoms;
Fleeing home to find home?

I can pretend, but I do not know enough.
Or I know as much as Homer could have known
Of what a drowned man feels:

The flood of last wishes;
& the hours beginning
To darken & drift off course.

As a child I’d sneak to watch teenagers
Roughneck in the neighborhood pool.

One night as I knelt at the deep end
Stroking the water,
A white boy shoved me in.

Can you remember the womb?
How, in the moments before birth,
The lines were washed from the map
That told the route you’d come?
Perhaps drowning feels that way.

The one who saved me had dark skin.
He left me on my side
Gasping for air like a startled fish.

After my father removed my soaked shirt & sneakers,
He got his belt.
He beat me until welts rose
Like new muscles along my arms & legs;
Like brushstrokes along my back.

I learned living requires a kind of discipline;
A reverence for the law of gravity.

But I have wanted,
As I want when I look at the painting,
To unhouse my body.

I have wanted the kind of grace God gives
Only to the drowned;
The boundlessness

Of a man conjured
Out of gossip & time,
Out of theories of demise;

Of a man who will not be the painter’s handsome one,
Who does not ask for help,
But awaits the tide’s eulogy.

SLEEPING WOMAN

SLEEPING WOMAN