Chapters (67)
- Title Page
- Copyright Page
- Dedication
- I. At the First Clear Word
- emcee
- TOUCH
- THETHINGS- N O - ONE- KNOWSBLUES
- ARSPOETICA# 789
- HIP LOGIC
- SONNET
- M R . T—
- SHAFT & THE ENCHANTED SHOE FACTORY or ARSPOETICA: THE EPIC QUEST FOR LANGUAGE
- SQUAWK
- BUTTER
- ORIGIN OF THE DAYS
- GOSPEL OF THE TWO SISTERS
- II. A Gram of &s
- abductor
- although
- ambulance
- apothecary
- beckoned
- bowling
- breathe
- careless
- corporal
- example
- III. Conjure
- FRIDAY POEM
- FOR PAUL ROBESON
- DIEGORIVERA—DAMADEBLANCO, 1939
- FOR ROBERT HAYDEN
- BROKEN DANGERFIELDNEWBYVILLANELLE
- WILLIAM H. JOHNSON
- ODE TO BALTHUS
- “THE GULF STREAM”/ FOURSTUDIES
- II. Fishmonger / Libation
- III. The Sea / Temptation
- IV. Self Portrait / Vision
- SLEEPING WOMAN
- STILL MUSIC
- IV. A Gram of &s
- gander
- general
- masculine
- nuclear
- overseas
- preface
- repaid
- saintly
- segregate
- stupor
- toenails
- V. The Law of Falling & Catching Up
- FIRE
- GUN/ WOMAN/ S O N
- HEARTTHROB
- MOTHER TOSON
- BLUES PROCESSION
- FLORIDA
- THE FLAME
- ODETO STONE
- ALTER CALL
- AUTUMN
- THE SAME CITY
- NOTES
- Acknowledgements
My child is old as the stone
Which sank years ago into the earth
Though he still lies naked in my dreams
Though I say his name at dawn
My child is old as stone
This morning I walk the empty field
This morning I fill my mouth with dirt
From a hill gorged with bones
ALTER CALL
ALTER CALL
To ask it once & for all
& for all
the brains argued out
of the conversation.
To sleep
in a straight line
& never be outrage
revealed in a sneeze.
To mow,
to snip & prune
the growling in the distance,
Lord.
To live among the patient,
the forgiven,
striking a bell
four thousand times a day.
To never think
of one man
as all men.
But to loosen
the valve on each fury.
To alter
the arc of my grin,
my face,
on its wobbling
axis. Lord, a parasol
of Your Mercy.
To rise
in Your Manor, Lord.
In Your Manner.
Do I ask too much?
To know, truly,
what heals
all wounds. To rock the coffin
of Death & His concubines.
To gather the blue stones
of Imperfection, Lord.
& cast them away.
AUTUMN
AUTUMN
Because the leaves ache
& the rush-hour dusk begins
to thicken & slow,
in this, the season of your birth,
your skull’s music box begins
its few imperfect notes,
& one of your younger selves
heads North behind a teenaged couple
from the Catholic school,
behind the sway of the girl’s plaid skirt
& cape of black braids,
the boy’s loose, almost criminal strut—
you follow them through the traffic’s caesura,
through the lot of the boarded-up Rite Aid,
the fire station opposite the Burger King
& its jaded daydreaming workers,
its scent of cooling grease
like the scent you inhaled once
along the rim of a girl’s collar,
the untangling bun of her hair.
You leaned into each other
in the break room,
doubled in red & black aprons,
your large visors removed,
her tongue held like a moist wing
between your lips—
your foolish self,
your younger, better self,
the one you see in the couple’s
lanky, unpolished grace.
You call to them & the sound
of your voice is reduced to a murmur
as you wake in a dim blue room
beside your wife. You want to tell her,
with your whole self,
though the other selves remain
lost, loitering, in love,
how there is a taste
like regurgitated skin or perhaps feathers
in your mouth,
I have had a strange dream,
you want to say,
but because now you can only remember
that you were younger, heading North,
you think it was just a dream about age
& then, instead of waking her,
you, my backward-doubling little self,
awaken me.
THE SAME CITY
THE SAME CITY