Chapters (67)
- Title Page
- Copyright Page
- Dedication
- I. At the First Clear Word
- emcee
- TOUCH
- THETHINGS- N O - ONE- KNOWSBLUES
- ARSPOETICA# 789
- HIP LOGIC
- SONNET
- M R . T—
- SHAFT & THE ENCHANTED SHOE FACTORY or ARSPOETICA: THE EPIC QUEST FOR LANGUAGE
- SQUAWK
- BUTTER
- ORIGIN OF THE DAYS
- GOSPEL OF THE TWO SISTERS
- II. A Gram of &s
- abductor
- although
- ambulance
- apothecary
- beckoned
- bowling
- breathe
- careless
- corporal
- example
- III. Conjure
- FRIDAY POEM
- FOR PAUL ROBESON
- DIEGORIVERA—DAMADEBLANCO, 1939
- FOR ROBERT HAYDEN
- BROKEN DANGERFIELDNEWBYVILLANELLE
- WILLIAM H. JOHNSON
- ODE TO BALTHUS
- “THE GULF STREAM”/ FOURSTUDIES
- II. Fishmonger / Libation
- III. The Sea / Temptation
- IV. Self Portrait / Vision
- SLEEPING WOMAN
- STILL MUSIC
- IV. A Gram of &s
- gander
- general
- masculine
- nuclear
- overseas
- preface
- repaid
- saintly
- segregate
- stupor
- toenails
- V. The Law of Falling & Catching Up
- FIRE
- GUN/ WOMAN/ S O N
- HEARTTHROB
- MOTHER TOSON
- BLUES PROCESSION
- FLORIDA
- THE FLAME
- ODETO STONE
- ALTER CALL
- AUTUMN
- THE SAME CITY
- NOTES
- Acknowledgements
I watched her curse untangling the hose
Noosed around her feet. I watched suds
Slide down the glass like storm clouds
Bound to wreck her somewhere in the week.
FLORIDA
FLORIDA
In the black-tiled room,
in the slime-wet apron, I am slicing,
I am fingering tiny muscles
of the soul from the fish,
I am doing as I was told,
dropping gut & bile in the bucket with the head
where the eyes are like marbles
in a doll’s face. I am inside the fish
thinking of my cousin, Noon Pie’s hips
in the walk-in closet, the sex of cloth
against cloth below Aunt Betty-Joe’s
yellowing lace, Lonzo’s suits of sharkskin,
their stale wedding bouquet.
I know fish love what blossoms
because they’re drawn to the propeller’s
bloom. I know fish nibble the corpse
til nothing remains, but bone.
I am thinking of Lonzo’s hand cuffed
around my wrist. You cut off the head
like this . . . I am made to tremble
by a boom box’s treble & bass,
B-boys in swimming trunks & shades
as they walk to the neighborhood lake.
All day they will splash & swallow
the water’s charm, as I swallow & splash
through heat, dreaming of my home
too many miles from this state
shaped like a leg gnawed up to the knee.
THE FLAME
THE FLAME
Her letters doused, the sticky sap
of Dear Baby on my tongue,
her apology, the electric twine of ink
all about to be burned, I crouch
as embers rise bright as maggots
into my face. I am in the back yard
looking at the pyramid of roofs,
the glinting antennae, I am looking at vines
of cable & telephone lines hatched over head
where the night sky seems untouchable,
a place I could only trespass.
I am sixteen, age of blood, age the bravest,
meaning the most desperate, of my crew struts
into class wearing no underwear
& spends the whole day proving it.
I have done this. Felt the rough blue pull
of denim & later, the teeth of sweat,
the embarrassment spawned by too much passion.
Now, only this flame will do.
The neighbors wonder, Who is burning leaves
this time of night? Or worse, Who is weeping
for the burning of leaves? This is called a pyre.
Long ago a tribe would gather articles of the dead:
the socks & Halloween masks, crayons & the child
like a sack of wind. They gathered
whatever was flammable & gave it wings.
They knew what wasn’t flammable
burned the most. I am learning this tonight.
I am learning the name of all the ballads
& stupid movies, all the world’s crushed moping.
And still, none of it will do. The flames gasp,
the pages transformed to what everything becomes
by the end. Tomorrow, perhaps no one will know
if these ashes were leaves or wood, cloth, skin.
ODETO STONE
ODETO STONE
My child is old as stone
Which does not budge from dirt
Though he will not wake me
Half-naked from my dreams
Though we will not wait for a yellow bus
To climb the hill at dawn