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Chapters (67)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. I. At the First Clear Word
  5. emcee
  6. TOUCH
  7. THETHINGS- N O - ONE- KNOWSBLUES
  8. ARSPOETICA# 789
  9. HIP LOGIC
  10. SONNET
  11. M R . T—
  12. SHAFT & THE ENCHANTED SHOE FACTORY or ARSPOETICA: THE EPIC QUEST FOR LANGUAGE
  13. SQUAWK
  14. BUTTER
  15. ORIGIN OF THE DAYS
  16. GOSPEL OF THE TWO SISTERS
  17. II. A Gram of &s
  18. abductor
  19. although
  20. ambulance
  21. apothecary
  22. beckoned
  23. bowling
  24. breathe
  25. careless
  26. corporal
  27. example
  28. III. Conjure
  29. FRIDAY POEM
  30. FOR PAUL ROBESON
  31. DIEGORIVERA—DAMADEBLANCO, 1939
  32. FOR ROBERT HAYDEN
  33. BROKEN DANGERFIELDNEWBYVILLANELLE
  34. WILLIAM H. JOHNSON
  35. ODE TO BALTHUS
  36. “THE GULF STREAM”/ FOURSTUDIES
  37. II. Fishmonger / Libation
  38. III. The Sea / Temptation
  39. IV. Self Portrait / Vision
  40. SLEEPING WOMAN
  41. STILL MUSIC
  42. IV. A Gram of &s
  43. gander
  44. general
  45. masculine
  46. nuclear
  47. overseas
  48. preface
  49. repaid
  50. saintly
  51. segregate
  52. stupor
  53. toenails
  54. V. The Law of Falling & Catching Up
  55. FIRE
  56. GUN/ WOMAN/ S O N
  57. HEARTTHROB
  58. MOTHER TOSON
  59. BLUES PROCESSION
  60. FLORIDA
  61. THE FLAME
  62. ODETO STONE
  63. ALTER CALL
  64. AUTUMN
  65. THE SAME CITY
  66. NOTES
  67. Acknowledgements

There, I was less than nothing. I took a train
To Harlem; a ship to Denmark to be free.
I can only tell you that here, I ain’t

Who I used to be. I am a Negro who has lain
With a white woman in a foreign country.
Momma, forgive this letter covered in paint.

I ain’t coming back. Here, no one complains
When Holcha & I kiss in the street.
Color doesn’t tells us what we are & what we ain’t

Never going to be. I have left my name
On the walls of a dozen museums & galleries.
I have covered my face in paint.
I cannot tell you who I am, but who I ain’t.

ODE TO BALTHUS

ODE TO BALTHUS

Old dirty, dirty. Old dirty, dirty handful of skin & motion.
There is a girl in white and girl in green & red and girl in nothing
And each is walking away. Handful of crimson ribbon
Pulled from hair tangled like rain around a girl’s face.
Handful of blood & bliss and the pain of blood & bliss.
How long before their fingers curl into questions
Deadly as the scorpion’s tail? The studio filled with a virgin’s
Ruined smell. Old dirty, dirty handful of light & space.
Girl sprawled on a couch, a girl on a horse, girl in a mirror.
The orchid’s tender stem in a hipped-shaped vase.

“THE GULF STREAM”/ FOURSTUDIES

“THE GULF STREAM”/ FOURSTUDIES

I. Homer / Apparition

then my dream went black as a sea without borders

I’d seen the back of a woman waiting on a pier
in a blood red shawl
she’d found my dozen sketches
of the young half-naked Negro tether-veined thick-necked
his scowl looking away
a vision so foreign she left my house
& ran until the tide took her in
a blackness finally she nor I could possess
in the dream I’d been ready to hold him
to stroke a thin line out of nothing
I wanted to give him the brave & tender loneliness
of the sea he was going to tell me
what the world was like without sun
but my brush fell my dream went black
& I could not make him swim out of death

II. Fishmonger / Libation

II. Fishmonger / Libation

To the gasp,
the murmur and swell.

To the premonition
that becomes a wound.

To the narrow path
that leads from everything.

To the fishmongers who live,
to the green mermaid tattoos
covering their scars.

To the fishmongers’ wives,
grateful
even when their men return
with empty nets.

(How will my family survive?
How will my boat be found?)

To the snapped mast.
To the sunken prow.

To the blue blue
and each fin and tooth.

To the glimmer of salt
on the skin.

To the scent of drifting,
the rock & sway.

To the tide’s radiance
unwiring the tongue.

A toast
to this long-standing rain
this holy water,
to this poisoned wine
I drink.

III. The Sea / Temptation

III. The Sea / Temptation

Let me varnish your bones,
Let me dress them in salt;
a thousand years of rain
covering fortune; your bed
& heaven, both halves
of the distance from home.