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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“Different how?”

“They fired a crane operator who is a member of our committee—but they picked the wrong person to victimize. Anna Walentynowicz is a woman, a widow, and fifty-one years old.”

“So she attracts a lot of sympathy from chivalrous Polish men.”

“And she’s a popular figure. They call her Pani Ania, Mrs. Annie.”

“I might take a look.” Dimka wanted to hear about any protest that promised to become serious, in case he might need to discourage a Kremlin crackdown.

As the press conference was breaking up, Tanya passed Cam Dewar and spoke to him quietly in Russian. “Go to the Cathedral of St. John on Friday at two and look at the Baryczkowski Crucifix.”

“That’s not a good place,” the young man hissed.

“Take it or leave it,” Tanya said.

“You have to tell me what this is about,” Cam said firmly.

Tanya realized she had to risk talking to him for another minute. “A line of communication in case the Soviet Union should invade Western Europe,” she said. “The possibility of forming a group of Polish officers who would switch sides.”

The American’s jaw dropped. “Oh . . . Oh . . . ,” he stuttered. “Right, yes.”

She smiled at him. “Satisfied?”

“What’s his name?”

Tanya hesitated.

Cam said: “He knows mine.”

Tanya decided she had to trust this man. She had already placed her own life in his hands. “Stanislaw Pawlak,” she said. “Known as Staz.”

“Tell Staz that for security reasons he should never speak to anyone here at the embassy except me.”

“Okay.” Tanya walked quickly out of the building.

She gave Staz the message that evening. Next day she kissed him good-bye and drove two hundred miles north to the Baltic Sea. She had an old but reliable Mercedes-Benz 280S with vertically aligned twin headlamps. In the late afternoon she checked into a hotel in the old town of Gdansk, directly across the river from the wharves and dry docks of the shipyard, which was on Ostrow Island.

On the following day it was one week exactly since the firing of Anna Walentynowicz.

Tanya got up early, put on canvas overalls, crossed the bridge to the island, reached the shipyard gate before sunrise, and strolled in with a group of young workers.

It was her lucky day.

The shipyard was plastered with newly pasted posters calling for Pani Ania to be given her job back. Small groups were gathering around the posters. A few people were handing out leaflets. Tanya took one and deciphered the Polish.

Anna Walentynowicz became an embarrassment because her example motivated others. She became an embarrassment because she stood up for others and was able to organize her coworkers. The authorities always try to isolate those who have leadership qualities. If we do not fight against this, then we will have no one to stand up for us when they raise work quotas, when health and safety regulations are broken, or when we are forced to work overtime.