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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

George got into the Lincoln beside him and told him about the wiretap.

Jasper said: “I’ll have to take the phone to pieces, and remove the bug.”

George shook his head. “If you do that they’ll know, because they won’t get any transmissions.”

“So what?”

“So they’ll find another way to bug you, and next time we might not be so lucky as to find out about it.”

“Shit. I take all my most important calls at home. What am I going to do?”

“When an important source calls, say you’re busy and you’ll call back; then go out to a pay phone.”

“I guess I’ll figure something out. Thanks for the tip. Does it come from the usual source?”

“Yes.”

“He’s well informed.”

“Yes,” said George, “he is.”

CHAPTER FORTY-SEVEN

Beep Dewar came to see Dave Williams at Daisy Farm, his recording studio in Napa Valley.

The rooms were plain yet comfortable, but there was nothing plain about the studio, which had state-of-the-art equipment. Several hit albums had been made here, and renting the place to bands had turned into a small but profitable business. Sometimes they asked Dave to be their producer, and he found that he seemed to have a talent for helping them achieve the sounds they wanted.

Which was just as well, for Dave was not making as much money as he once had. Since the breakup of Plum Nellie there had been a greatest hits album, a live album, and an album of outtakes and alternate versions. Each had sold less than the previous one. Solo albums by former members had done modestly well. Dave was not in trouble, but he was no longer buying a new Ferrari every year. And the trend was down.

When Beep called and asked if she could drive up and see him the next day he had been so surprised that he had not asked whether she had some special reason.

That morning he shampooed his beard in the shower, put on clean jeans, and picked out a bright blue shirt. Then he asked himself why he was making a fuss. He was no longer in love with Beep. Why did he care what she thought of his appearance? He realized that he wanted her to look at him and regret jilting him. “Bloody fool,” he said aloud to himself, and put on an old T-shirt.

All the same, he wondered what she wanted.

He was in the studio, working with a young singer-songwriter making his first album, when the gate phone flashed silently. He left the artist working on the middle eight and stepped outside. Beep drove up to the house in a red Mercury Cougar with the top down.

He expected her to have changed, and was intrigued to see what she would look like, but in fact she was the same: small and pretty with an impish look in her eye. She hardly seemed different from when he had first met her, a decade ago, when she had been a disturbingly sexy thirteen-year-old. Today she wore blue matador pants and a striped tank top, and her hair was cut in a short bob.