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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Tanya was struck by that. This was not about more pay or shorter hours: it was about the right of Polish workers to organize for themselves, independently of the Communist hierarchy. She had a feeling this was a significant development. It started a small glow of hope in her belly.

She walked around the yard as the daylight strengthened. The sheer scale of shipbuilding was awesome: the thousands of workers, the kilotons of steel, the millions of rivets. The high sides of half-built ships rose far above her head, their mountainous weight perilously balanced by spiderweb scaffolding. Immense cranes bowed their heads over each ship, like adoring Magi around a giant manger.

Everywhere she went, workers were downing tools to read the leaflet and discuss the case.

A few men started a march, and Tanya followed them. They went in procession around the yard, carrying makeshift placards, handing out leaflets, calling on others to join them, growing in numbers. Eventually they came to the main gate, where they began telling arriving workers that they were on strike.

They closed the factory gate, sounded the siren, and flew the Polish national flag from the nearest building.

Then they elected a strike committee.

While that was going on they were interrupted. A man in a suit clambered up on an excavator and began to shout at the crowd. Tanya could not understand everything he said, but he seemed to be arguing against the formation of a strike committee—and the workers were listening to him. Tanya asked the nearest man who he was. “Klemens Gniech, the director of the shipyard,” she was told. “Not a bad guy.”

Tanya was aghast. How weak people were!

Gniech was offering negotiations if the strikers would first go back to work. To Tanya this seemed a transparent trick. Many people booed and jeered Gniech, but others nodded agreement, and a few drifted away, apparently headed for their workplaces. Surely it could not fall apart so fast?

Then someone jumped up on the excavator and tapped the director on the shoulder. The newcomer was a small, square-shouldered man with a bushy mustache. Although he seemed to Tanya an unimpressive figure, the crowd recognized him and cheered. They evidently knew who he was. “Remember me?” he yelled at the director in a voice loud enough for everyone to hear. “I worked here for ten years—then you fired me!”

“Who’s that?” Tanya asked her neighbor.

“Lech Wałesa. He’s only an electrician, but everyone knows him.”

The director tried to argue with Wałesa in front of the crowd, but the little man with the big mustache gave him no leeway. “I declare an occupation strike!” he roared, and the crowd shouted their agreement.

Both the director and Wałesa stepped down from the excavator. Wałesa took command, something everyone seemed to accept without question. When he ordered the director’s chauffeur to drive in his limousine and fetch Anna Walentynowicz, the chauffeur did as he was told and, even more astonishing, the director made no objection.