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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“Don’t you dare speak to me like that. One more smart-ass remark and you’re on a plane home.”

Cam did not want to be sent home. He backed off. “I apologize. But I’d still like to know the reasons for your denial, if I may.”

“You have what we call ‘close and continuing contact’ with her, don’t you?”

“Of course. I told you that myself. Why is it a problem?”

“Statistics. Most of the traitors we catch spying against the United States turn out to have relatives or close friends who are foreigners.”

Cam had suspected something like this. “I’m not willing to give her up for statistical reasons. Do you have anything specific against her?”

“What makes you think you have the right to cross-examine me?”

“I’ll take that as a no.”

“I warned you about wisecracks.”

They were interrupted by another agent, Tony Savino, who approached with a sheet of paper in his hand. “I’m just looking at the acceptance list for this morning’s press conference,” he said. “Tanya Dvorkin is coming for TASS.” He looked at Cam. “She’s the woman who spoke to you at the Egyptian embassy, isn’t she?”

“She sure is,” Cam said.

Keith said: “What’s the subject of the press conference?”

“The launch of a new, streamlined protocol for Polish and American museums to loan each other works of art, it says here.” Tony looked up from the paper. “Not the kind of thing to attract TASS’s star writer, is it?”

Cam said: “She must be coming to see me.”

• • •

Tanya spotted Cam Dewar as soon as she walked into the briefing room at the American embassy. A tall, thin figure, he was standing at the back like a lamppost. If he had not been here, she would have sought him out after the press conference, but this was better, less noticeable.

However, she did not want to look too purposeful when she approached him, so she decided to listen to the announcement first. She sat next to a Polish journalist whom she liked: Danuta Gorski, a feisty brunette with a big toothy grin. Danuta was a member of a semi-underground movement called the Defense Committee that produced pamphlets about workers’ grievances and human rights violations. These illegal publications were called bibula. Danuta lived in the same building as Tanya.

While the American press officer was reading out the announcement he had already given them in printed form, Danuta murmured to Tanya: “You might want to take a trip to Gdansk.”

“Why?”

“There’s going to be a strike at the Lenin Shipyard.”

“There are strikes everywhere.” Workers were demanding pay rises to compensate for a massive government increase in food prices. Tanya reported these as “work stoppages,” for strikes happened only in capitalist countries.

“Believe me,” said Danuta, “this one could be different.”

The Polish government was dealing with each strike swiftly, granting pay rises and other concessions on a local basis, keen to shut down protests before they could spread like stains on a cloth. The nightmare of the ruling elite—and the dream of dissidents—was that the stains would join up until the cloth was entirely a new color.