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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“You thank the Lord, Mom,” George said amiably. “I’ll thank President Kennedy.”

“Why don’t we just agree to be grateful to both?”

“I’ll buy that,” said George, and they went out.

PART FOUR

GUN

1963

CHAPTER TWENTY-ONE

Joe Henry’s Dance Band had a regular Saturday night gig in the restaurant of the Europe Hotel in East Berlin, playing jazz standards and show tunes for the East German elite and their wives. Joe, whose real name was Josef Heinried, was not much of a drummer, in Walli’s opinion; but he could keep the beat, even when drunk, and besides, he was an official of the musicians’ union, so he could not be fired.

Joe arrived at the staff entrance of the hotel at six P.M. in an old black Framo V901 van with his precious drums in the back packed tight with cushions. While Joe sat at the bar drinking beer, it was Walli’s job to carry the drums from the van to the stage, unpack them from their leather cases, and set up the kit the way Joe liked it. There was a bass drum with a kick pedal, two tom-toms, a snare drum, a high hat, a crash cymbal, and a cowbell. Walli handled them as gently as if they were eggs: they were American Slingerland drums that Joe had won from a GI in a card game back in the 1940s, and he would never get another set like it.

The pay was lousy, but as part of the deal Walli and Karolin performed for twenty minutes in the interval, as the Bobbsey Twins, and, most importantly, they got musicians’ union cards, even though Walli at seventeen was too young.

Walli’s English grandmother, Maud, had chortled when he told her the name of the duo. “Are you Flossie and Freddie, or Bert and Nan?” she had said. “Oh, Walli, you do make me laugh.” It turned out that the Bobbsey Twins were not a bit like the Everly Brothers. There was a series of old-fashioned books for children about the impossibly perfect Bobbsey family with two sets of beautiful rosy-cheeked twins. Walli and Karolin had decided to stick with the name anyway.

Joe was an idiot but Walli was learning from him just the same. Joe made sure the band was too loud to be ignored, though not so loud that people complained they could not converse. He gave each band member the spotlight in one number, keeping the musicians happy. He always opened with a well-known number, and he liked to finish while the dance floor was packed, leaving people wanting more.

Walli did not know what the future held, but he knew what he wanted. He was going to be a musician, the leader of a band, popular and famous; and he was going to play rock music. Perhaps the Communists would soften their attitude to American culture, and permit pop groups. Maybe Communism would fall. Best of all, Walli might find a way to go to America.