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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

CHAPTER TWENTY-TWO

The most racist city in America was probably Birmingham, Alabama. George Jakes flew there in April 1963.

Last time he came to Alabama, he recalled vividly, they had tried to kill him.

Birmingham was a dirty industrial city, and from the plane it had a delicate rose-pink aura of pollution, like the chiffon scarf around the neck of an old prostitute.

George felt the hostility as he walked through the terminal. He was the only colored man in a suit. He remembered the attack on him and Maria and the Freedom Riders in Anniston, just sixty miles away: the bombs, the baseball bats, the whirling lengths of iron chain, and most of all the faces, twisted and deformed into masks of hatred and madness.

He walked out of the airport, located the taxi stand, and got into the first car in line.

“Get out of the car, boy,” said the driver.

“I beg your pardon?”

“I don’t drive for no goddamn nigras.”

George sighed. He was reluctant to get out. He felt like sitting here in protest. He did not like to make things easy for racists. But he had a job to do in Birmingham, and he could not do it in jail. So he got out.

Standing by the open door, he looked down the line. The car behind had a white driver: he assumed he would get the same treatment again. Then, three cars back, a dark-brown arm came out of the window and waved at him.

He stepped away from the first cab.

“Close the door!” the driver yelled.

George hesitated, then said: “I don’t close doors for no goddamn segregationists.” It was not a very good line, but it gave him some small satisfaction, and he walked away leaving the door wide open.

He jumped into the cab with the black driver. “I know where you’re going,” the man said. “Sixteenth Street Baptist Church.”

The church was the base of fiery preacher Fred Shuttlesworth. He had founded the Alabama Christian Movement for Human Rights, after the state courts outlawed the moderate National Association for the Advancement of Colored People. Clearly, George thought, any Negro arriving at the airport was assumed to be a civil rights campaigner.

But George was not going to the church. “Take me to the Gaston Motel, please,” he said.

“I know the Gaston,” said the driver. “I saw Little Stevie Wonder in the lounge there. It’s just a block from the church.”

It was a hot day and the cab had no air-conditioning. George wound down the window and let the slipstream cool his perspiring skin.

He had been sent by Bobby Kennedy with a message for Martin Luther King. The message was stop pushing, calm things down, end your protests, things are changing. George had a feeling that Dr. King was not going to like it.

The Gaston was a low-built modern hotel. Its owner, A. G. Gaston, was a coal miner who had become Birmingham’s leading black businessman. George knew that Gaston was nervous about the disruption being brought to Birmingham by King’s campaign, but gave his qualified support nonetheless. George’s taxi drove through the entrance into a motor court.