I readied myself, then jumped to another dream, a dream-within-the-dream. I didn’t know I was able to do this, but I could. Like finding you can play the piano when you’re eighteen but somehow you always knew – astonishing and expected, all at the same time.

I was outside a dark, cheerless Dormitorium, dismal and forbidding in age-darkened stone. The dream, like the dream I’d just left, was hyper-realistic, distinguishable from reality only because I knew it wasn’t. I’d seen this building before, out in the real world. It was the Geraldus Cambrensis.

I caught a glimpse of my reflection in the glazed panel of the door and saw Charlie Webster staring back at me. He looked harder, more weary, older, stressed. I pushed open the door, wondering where my subconscious was taking me.

The style of the interior was from the thirteenth century, when only the clergy and aristocracy used Dormitoria and slumber was inextricably linked with death, renewal and religion. A curved staircase led up behind the lobby towards the central void, but modern sofas were positioned either side of the central desk, where the porter was doing some paperwork. Zsazsa was reading a copy of the Ludlow Vogue while sitting on one of the sofas, while on the other I could see Agent Hooke partially hidden behind a newspaper. There was a third figure in a phone booth to one side, which looked as though it was either Aurora or Toccata, but impossible to say which.

‘Good evening,’ said the porter.

‘Good evening,’ I replied. ‘Any messages?’

The Consul Charlie part of me didn’t know him, but the Birgitta’s Charlie part of me did.

‘Just one,’ he replied, and handed me a note from my pigeonhole.

There will always be the Gower

It wasn’t the porter’s writing. It was Birgitta’s, and meant only one thing: they were on to me, and I should get to the safe house without delay, stay quiet, await instructions.

I thanked the porter, turned, but instead of making my escape as Birgitta had suggested, I trotted up the stairs to the first floor. I heard the rustle of a newspaper being folded and footsteps on the stone floor below, but I did not quicken my pace. If I could hear Agent Hooke, he would be able to hear me.

The building was demonstrably ancient, gloomy and in a poor state of repair. Buckets had been scattered around to catch the leaks in the vaulted corridor, and large blooms of mould had erupted across the damp plaster. I moved on around the curved corridor, entered room 106 and cautiously locked the door behind me.