‘ . . . Study of glaciers revealed year on year advancement, but few politicians ever wanted to get behind the notion of climate change, and policy lagged accordingly. The inconvenient truth was that at current estimates and without a coherent strategy, everything North of the 42nd parallel would be ice sheet in two hundred years...’

– Surviving Snowball Earth, by Jeremy Wainscott

It felt as though a bar or block had lifted in my mind and that my dream cogs, long gummed with disuse, had finally found a way to move. I dreamed of the white-softened town, the snow pure and unsullied after a recent fall. I saw Jonesy dressed as the front half of a pantomime horse and surrounded by her collection of thumbs, all sixty-three of them, then Mother Fallopia glaring at me severely, standing over a sleeping Birgitta, amongst dozens of paintings of Charlie Webster also looking at me severely.

And then I was outside and could see Aurora moving amongst the drifts entirely naked, her body hair a light mousy colour, no more than an inch long except where it thinned to the naked strip of skin that ran along her spine in the shape of a poplar leaf, the linea decalvare so beloved of classical painters. She turned and was suddenly Toccata, sitting at a table with me on a large platter, basted in honey glaze and with an apple in my mouth.

But while these were all a little odd, they were just plain, standard dreams. I knew they were dreams and they were dismissed as such. I had been waiting, as though labouring through endless trailers and adverts at the cinema, knowing that finally, with a burst of sound and light, the main attraction would begin and I could settle down, and relax, and enjoy.

And it did – with a joyous blur of colour and light, away from the lower subconscious and into the exaggerated reality of the higher Dreamstate.

We were back in the Gower, the Argentinian Queen on the beach by the shoreline, the blue paintwork showing through the rust, cable stays loose and swinging in the breeze. Everything was precisely as it had been before, like watching a movie for the second or third time – predictably familiar and unwavering in the precision of its repetition. The sand, the sun, the large orange-and-red parasol of spectacular size and splendour, Birgitta in her one-piece swimsuit the colour of freshly unfurled leaves. She looked at me, pushed her hair behind her ear, smiled, and everything at that moment was perfect once more. All was Summertopia, and nothing could shake the sense of overwhelming bliss. The child ran past with the beach ball and the peal of laughter, and that was her cue. The same words, the identical inflection.

‘I love you, Charlie.’

‘I love you, Birgitta.’