Chapters (63)
- Title Page
- Taeble o Contents
- The Fock
- Wan
- Astrid docks
- Inga Lighter an Øyvind Grower waatch Astrid come in
- The visietor, Darling, leuks fer a piece tae bide
- Astrid an Darling settle in
- Olaf Lighter an Eynar o the Hoose speir at the new teknolojy
- Higgie the Codd at her screens
- Astrid sketches Orcadia
- The pieces Darling’s been
- Inga an Olaf at the lighteen
- Øyvind Astridsfaither, wirkan
- The arkaeolojist at the Wrack-Hofn
- Astrid gangs tae kirk
- Darling gangs tae view the wracks
- Olaf Lighter hishan his bairn tae sleep
- Gunnie Margitsbairn nyargs at thir mither
- Øyvind Grower an Eynar o the Hoose tak a eveneen class
- A alt-arkaeolojist visits wi Noor
- Higgie the Codd clocks aff
- Astrid meets the visietor, Darling
- Twa
- Darling an Astrid waatch a Lightstoor
- Inga raeds a airticle aboot the Lights
- Higgie the Codd seeks expert advice
- Eynar snecks up
- Darling an Astrid tak a waak trou the wynds o Meginwick
- Thay spaek aboot Mars
- Inga an Olaf spaek bisness
- Astrid casts back tae a pal fae the college
- Darling jacks the news
- Noor needs a drink
- Øyvind’s notions
- Astrid lairns Darling a new dance
- Astrid taks Darling haem fer dinner
- Young Brenna at the Ting
- Noor an Eynar spaek eftir the Ting
- Darling’s body
- Astrid canno draa yet
- Gossip is Orcadia’s craesh
- Gunnie Margitsbairn canno keep a secret
- Noor draems
- Darling catches wird fae haem
- Inga taks her yole oot
- Astrid taks Darling tae a meun
- Tree
- Astrid shaas Darling her wark
- Inga is waantan pey
- Darling peys Olaf fer a hurl
- Astrid speirs her faither fer advice
- Darling gies Eynar the tael
- The Dance
- Gunnie an Brenna imajin futures
- Astrid, oot
- Darling meets Margit Lighter fer bisness
- Eynar pits oot a advert
- Stoor
- Notes and Thanks
- About the Author
- By the Same Author
- Copyright
Once she was a packer: when the Lights came in, she worked the spectral refractors, prismatic accelerators, containment wallfieldbarriers, squeezepressbruising something clearbrightcut and loosefree into something burnable. It wasn’t roughhardnasty work – buttons and levers, mostly – she just needed care and the skilledwisemagicalcautious sensecompetence of timing. But she and her friends were always going to lose the unavoidable race with automation. Higgie was luckyblessedhappy: she’d stayed at school to know the maths to take the course to qualify for maintenance, so she was the personbody looking after machines looking after Lights, and then the personbody looking after machines looking after machines.
They’re older now, and only Higgie waitstaylived to be an elder. Dagmar made a family on Wolf; Kari took a Martian job in foodmeat; Torsten died, and none of them ever speak about it; Higgie, back bendcramptwisting more with every year, delved with code and solder into machines, missing the noisegossip, thinking in codeprogramscripture and circuit. She monitors: here at the plant, by screen, and after, in the back pew of the kirk. She makes little adjustments: who sits where, what words are needed, when to apply comfort and when to chide or speak a truth. She is not alone. She knows she does not sing in tune, but at the plant and with her screens she sings.
Astrid sketches Orcadia
Sheu trails a finger ower her slaet i’the curve
o her planet, than wi a canny swirl bleums
hids swaalls o yallo an corkalit. Wi shairp
stroks, the airms o Central Staetion skoot
atwart the screen, an peedie tigs an picks
mairk oot the eydent piers o Meginwick
i’the corner o her careful composietion.
An lukkan oot the peedie vizzie-bell,
doon the taing o Hellay, airm o the kirk,
the dammer o the Deep Wheel surroondan her,
Astrid feels hersel faa, an lift, an faa.
Liv oot, sheu dights the natralism fae
her slaet, an stairts ower again, abstrack,
wi only the nirt o the thowt o coman haem
an odd gittan seean that peedie odds:
black lines fer the starns, blue dubs
fer the tides, green aircs fer the grand skail
o wheels an airms an bolas gaithered roond Central.
Mindan her lessons fae college, sheu follows sense
intae shape, an shape intae color, an noo sheu’s closser
tae the grace ootbye, but closser maks more o a ranyie.
Again her dightan liv. Again a blenk.
Astrid steeks her een an haads the device
tae her chest, sam as her braethan wir liftan Orcadia
tae the surface. But the screen bides skarpy,
an the view bides stamagastan, an Astrid
settles back tae waatch an braethe an mynd,
her fingers restan jeust abeun the slaet.
Astrid sketches Orcadia