Chapters (63)
- Title Page
- Taeble o Contents
- The Fock
- Wan
- Astrid docks
- Inga Lighter an Øyvind Grower waatch Astrid come in
- The visietor, Darling, leuks fer a piece tae bide
- Astrid an Darling settle in
- Olaf Lighter an Eynar o the Hoose speir at the new teknolojy
- Higgie the Codd at her screens
- Astrid sketches Orcadia
- The pieces Darling’s been
- Inga an Olaf at the lighteen
- Øyvind Astridsfaither, wirkan
- The arkaeolojist at the Wrack-Hofn
- Astrid gangs tae kirk
- Darling gangs tae view the wracks
- Olaf Lighter hishan his bairn tae sleep
- Gunnie Margitsbairn nyargs at thir mither
- Øyvind Grower an Eynar o the Hoose tak a eveneen class
- A alt-arkaeolojist visits wi Noor
- Higgie the Codd clocks aff
- Astrid meets the visietor, Darling
- Twa
- Darling an Astrid waatch a Lightstoor
- Inga raeds a airticle aboot the Lights
- Higgie the Codd seeks expert advice
- Eynar snecks up
- Darling an Astrid tak a waak trou the wynds o Meginwick
- Thay spaek aboot Mars
- Inga an Olaf spaek bisness
- Astrid casts back tae a pal fae the college
- Darling jacks the news
- Noor needs a drink
- Øyvind’s notions
- Astrid lairns Darling a new dance
- Astrid taks Darling haem fer dinner
- Young Brenna at the Ting
- Noor an Eynar spaek eftir the Ting
- Darling’s body
- Astrid canno draa yet
- Gossip is Orcadia’s craesh
- Gunnie Margitsbairn canno keep a secret
- Noor draems
- Darling catches wird fae haem
- Inga taks her yole oot
- Astrid taks Darling tae a meun
- Tree
- Astrid shaas Darling her wark
- Inga is waantan pey
- Darling peys Olaf fer a hurl
- Astrid speirs her faither fer advice
- Darling gies Eynar the tael
- The Dance
- Gunnie an Brenna imajin futures
- Astrid, oot
- Darling meets Margit Lighter fer bisness
- Eynar pits oot a advert
- Stoor
- Notes and Thanks
- About the Author
- By the Same Author
- Copyright
or calculators or classroom exercises of Architect-Gods. No drive, no rudder, no heart, no brain, no lungs, no throatneckpass, no tongue, no will,
enormousintenseunbelievable above her, enormousintenseunbelievable below her, bound in orbit behind the Deep Wheel, the Havenharbour always growing in grandeur and shrinkdying in sense.
Astrid gangs tae kirk
“Thoo’ll come?” asks Øyvind, aesy enogh,
so Astrid sayed her “Yass” afore
myndan sheu wis faithless noo.
Sheu cam an fund sheu kent the wirds
tae ivry sang, an hoo tae speir
this god fer saefty an yin fer maet,
anither fer wittans an feck. Awey,
sheu telt Orcadia’s past tae the grunders:
the curn o fock fae a curn o ships
at cam to big a curn o a staetion
an raffled thir myndeen o some histry
intae a kinno culture, parteeclar.
Here, sheu didno think o the differ
atween tael an true. Awey,
sheu lairned tae be a aafil cynic.
Here, sheu coonts the ruives i’the reuf
trou the lang an weel-kent sermon.
An Higgie’s soprano cracks the sam
notts ahint her, an wi this truth
Astrid finds forgieness: a caald
waarmth at’s notheen tae deu wi belief
an aatheen tae deu wi haird pews,
thin yarns, gray beuks,
an so is a myndeen tae her fae the gods.
Astrid goes to church
“Will you come?” asked Øyvind, casually enough, so Astrid said her “Yes” before rememberknowreflectwilling she was faithless now. She came and found she knew the words
to every song, and how to ask this god for safety and that for foodmeat and another for wisdomknowledgenews and powerworthattention. Awaydeaddistracted, she told Orcadia’s past to the planet-dwelling people:
the fewsmallgrain people from a fewsmallgrain ships that came to build a fewsmallgrain station, and tanglemuddled their giftremembrancememory of strangespecial history into a sort of culture, specificstrange.
Here, she didn’t think of the difference between tale and true. Awaydeaddistracted, she learned to be an awful cynic. Here, she counts the rivets in the roof
through the long and familiar sermon. And Higgie’s soprano cracks the same notes behind her, and in this truth Astrid finds forgiveness: a cold
warmth that has nothing to do with belief and everything to do with hard pews, thin stories, grey books, and as such is a giftremembrancememory to her from the gods.
Darling gangs tae view the wracks
Sheu thowt thir’d be somtheen more,
but this teum shapes is jeust
the waant o starns. Thay glup
the orange lowe o the yotun
at colors aa Orcadia.
Thay glup her geyran face.
Noor sets the skiff tae drift
an leans back in her seat,
een clossed. The wracks sloom by.
“What are they?” speirs Darling,
an the arkaeolojist bairks
a laagh. “Exactly,” says Noor.
“Exactly.” Darling is grabbid.
“But surely—I mean—they must—”
“Look,” says Noor, no appenan
her een. “There’s no known substance
which can form constructions
this vast or regular, and no
sign of a life that made them.