Chapters (63)
- Title Page
- Taeble o Contents
- The Fock
- Wan
- Astrid docks
- Inga Lighter an Øyvind Grower waatch Astrid come in
- The visietor, Darling, leuks fer a piece tae bide
- Astrid an Darling settle in
- Olaf Lighter an Eynar o the Hoose speir at the new teknolojy
- Higgie the Codd at her screens
- Astrid sketches Orcadia
- The pieces Darling’s been
- Inga an Olaf at the lighteen
- Øyvind Astridsfaither, wirkan
- The arkaeolojist at the Wrack-Hofn
- Astrid gangs tae kirk
- Darling gangs tae view the wracks
- Olaf Lighter hishan his bairn tae sleep
- Gunnie Margitsbairn nyargs at thir mither
- Øyvind Grower an Eynar o the Hoose tak a eveneen class
- A alt-arkaeolojist visits wi Noor
- Higgie the Codd clocks aff
- Astrid meets the visietor, Darling
- Twa
- Darling an Astrid waatch a Lightstoor
- Inga raeds a airticle aboot the Lights
- Higgie the Codd seeks expert advice
- Eynar snecks up
- Darling an Astrid tak a waak trou the wynds o Meginwick
- Thay spaek aboot Mars
- Inga an Olaf spaek bisness
- Astrid casts back tae a pal fae the college
- Darling jacks the news
- Noor needs a drink
- Øyvind’s notions
- Astrid lairns Darling a new dance
- Astrid taks Darling haem fer dinner
- Young Brenna at the Ting
- Noor an Eynar spaek eftir the Ting
- Darling’s body
- Astrid canno draa yet
- Gossip is Orcadia’s craesh
- Gunnie Margitsbairn canno keep a secret
- Noor draems
- Darling catches wird fae haem
- Inga taks her yole oot
- Astrid taks Darling tae a meun
- Tree
- Astrid shaas Darling her wark
- Inga is waantan pey
- Darling peys Olaf fer a hurl
- Astrid speirs her faither fer advice
- Darling gies Eynar the tael
- The Dance
- Gunnie an Brenna imajin futures
- Astrid, oot
- Darling meets Margit Lighter fer bisness
- Eynar pits oot a advert
- Stoor
- Notes and Thanks
- About the Author
- By the Same Author
- Copyright
So.” An Darling turns
awey. “I’m sorry,” sheu says.
Darling goes to see the wrecks
She thought there’d be something more, but these emptyhungry shapes are just the wantneed of stars. They gulpcatchswallow
the orange flameglowflickerflare of the gas giant that colours all of Orcadia. They gulpcatchswallow her covetously staring face.
Noor sets the skiff to drift and leans back in her seat, eyes closed. The wrecks slideslinkdream by.
“What are they?” asks Darling, and the archaeologist barkcoughwarns a laugh. “Exactly,” says Noor.
“Exactly.” Darling is vexed. “But surely—I mean—they must—” “Look,” says Noor, not opening
her eyes. “There is no known substance which can form constructions this vast or regular, and no
sign of a life that made them. So.” And Darling turns away. “I’m sorry,” she says.
Olaf Lighter hishan his bairn tae sleep
The sang is aald an the week by
wis the bairn cheust takkan twatree steps:
a hairdly-human knitch o need,
but waakan. The bairn’s een is clossan
an unner the sang is Olaf’s quaistions:
Will thay tak tae the Wheel’s ducts,
smoo roon labs o a night, clim
as possessed o a tail, dore tae be taen
oot i’the yoles, lairn the hidden
neuks o the staetion an naems o the Lights?
Like him, his mither an hers, langsyne,
pure mixter-maxter staetion fock,
makkan a piece taegither, sharan
the bit thir gotten, no kennan grund?
Or will this bairn be somtheen new?
Ten year an thay’ll be gittan as taall
as thir room is wide, an lairnan grand
astrometry an polietics.
The polietics thir gotten here
is cheust enogh tae dael thir maet
an finiesh a teullyo ithoot a body
murdert. Thir ae planet tae meisur.
The only subjeck Olaf enjoyed
at the skeul wis histry. He kens the warld
is noo expandan faaster again,
an that new speeds tak newer warlds,
channels tae sype Orcadia whill aa
that bides is histry, staetion gaen
tae bruckalaetion, voyd hulks.
So mibbe this bairn’ll waant tae brak
the next speed barrier, or the next?
In this peedie bunk, draeman
o cities, draeman o meanan more.
Or draeman a love fer a dwynan piece?
Whit wan o this futurs is bruckit mosst?
Olaf the Lighter lulling his child to sleep
The song is old and last week the child just took a few steps: a hardly-human bundletruss of need, but walking. The child’s eyes are closing, and under the song are Olaf’s questions:
Will they enjoyexplore the Wheel’s ducts, hidesneak into food laboratories at night, climb as though they had a tail, demandpesterbabble to be taken out in the boats, learn the hidden nooks of the station and names of Lights?
Like Olaf, his mother, and hers, a long way back, a very diverse mix of station people, making a placedistancepartwhile together, sharing the littlepiece they have and not knowing groundplanets. Or will this child be something new?