Chapters (63)
- Title Page
- Taeble o Contents
- The Fock
- Wan
- Astrid docks
- Inga Lighter an Øyvind Grower waatch Astrid come in
- The visietor, Darling, leuks fer a piece tae bide
- Astrid an Darling settle in
- Olaf Lighter an Eynar o the Hoose speir at the new teknolojy
- Higgie the Codd at her screens
- Astrid sketches Orcadia
- The pieces Darling’s been
- Inga an Olaf at the lighteen
- Øyvind Astridsfaither, wirkan
- The arkaeolojist at the Wrack-Hofn
- Astrid gangs tae kirk
- Darling gangs tae view the wracks
- Olaf Lighter hishan his bairn tae sleep
- Gunnie Margitsbairn nyargs at thir mither
- Øyvind Grower an Eynar o the Hoose tak a eveneen class
- A alt-arkaeolojist visits wi Noor
- Higgie the Codd clocks aff
- Astrid meets the visietor, Darling
- Twa
- Darling an Astrid waatch a Lightstoor
- Inga raeds a airticle aboot the Lights
- Higgie the Codd seeks expert advice
- Eynar snecks up
- Darling an Astrid tak a waak trou the wynds o Meginwick
- Thay spaek aboot Mars
- Inga an Olaf spaek bisness
- Astrid casts back tae a pal fae the college
- Darling jacks the news
- Noor needs a drink
- Øyvind’s notions
- Astrid lairns Darling a new dance
- Astrid taks Darling haem fer dinner
- Young Brenna at the Ting
- Noor an Eynar spaek eftir the Ting
- Darling’s body
- Astrid canno draa yet
- Gossip is Orcadia’s craesh
- Gunnie Margitsbairn canno keep a secret
- Noor draems
- Darling catches wird fae haem
- Inga taks her yole oot
- Astrid taks Darling tae a meun
- Tree
- Astrid shaas Darling her wark
- Inga is waantan pey
- Darling peys Olaf fer a hurl
- Astrid speirs her faither fer advice
- Darling gies Eynar the tael
- The Dance
- Gunnie an Brenna imajin futures
- Astrid, oot
- Darling meets Margit Lighter fer bisness
- Eynar pits oot a advert
- Stoor
- Notes and Thanks
- About the Author
- By the Same Author
- Copyright
“Whathowwherewhy does it work?” asks Eynar, pouring a beer. “I’m not sure,” says Olaf, “but that archaeologist, oh, you know, what’s her name, told me it was like this—”
The smallslenderneatdainty boat worker takes two empty glasses and a packetpocket of nuts and steers these subtle engines through the warp of time, now rings of spirit on
the bentdented aluminium bar. “The drive makes a packetpocket, see, of hyperspace to reachtravelachieve through, to exceed relativistic constraints.”
“Yes, but,” says Eynar, “I thought the problem was more ontological restrictions than technological limits. Whathowwherewhy can they avoid catastrophic
temporal paradox, eh?” Olaf takes a draught of his beer and says, “Yes well. Gods know. And gods know they must because it’s bad enough to lose
the last bit of the last bit of our shipping without messing with fucking multiversal anomalies as well.” And Eynar, not drinking, says,
“I’ll drink to that,” looking over the empty plasticpolymer chairs and tables, Olaf’s greying hair, and weighing the worth of his business, the size of his savings,
the price of a ticket to Ross or Mars or Proxima Centauri B, and running the numbers again, and wiping the trails of the hyperdrive from the bar.
Higgie the Codd at her screens
Aence sheu wis a packer: whan the Lights cam in
sheu wirked the spectral refractors, prismatic acceleraetors,
containment dykes, brissan somtheen skare an lowse
intae somtheen birnable. No a coorse wark –
buttons an levers, mosstleens – sheu jeust needed care
an the canny gy o timeen. But sheu an her pals wis aye
tae loss the unavoydable race wi aatomaetion.
Higgie wis lucky: sheu wis keepid on at the skeul
tae ken the maths tae tak the coarse tae qualiefy
fer maintenance, so sheu wis the body lukkan eftir
machines lukkan eftir Lights, an than the body
lukkan eftir machines lukkan eftir machines.
Thir aalder noo, an only Higgie bade tae be
a elder. Dagmar’s maed a faimly on Wolf; Kari
teuk a Martian job in maet; Torsten deed
an naen o them ivver spaek aboot hid; Higgie, back
croppenan more wi ivry year, dellt wi codd
an solder intae machines, missan the clashan, thinkan
in script an circuit. Sheu monietors: here at the plant,
by screen, an eftir, i’the back pew o the kirk. Sheu maks
peedie adjustments: wha sits whar, whit wirds is needed,
whan tae apply comfort an whan tae chide or spaek
a truth. Sheu isno alaen. She kens sheu disno sing
in tune, but at the plant an wi her screens sheu sings.
Higgie the Coder at her screens