Chapters (63)
- Title Page
- Taeble o Contents
- The Fock
- Wan
- Astrid docks
- Inga Lighter an Øyvind Grower waatch Astrid come in
- The visietor, Darling, leuks fer a piece tae bide
- Astrid an Darling settle in
- Olaf Lighter an Eynar o the Hoose speir at the new teknolojy
- Higgie the Codd at her screens
- Astrid sketches Orcadia
- The pieces Darling’s been
- Inga an Olaf at the lighteen
- Øyvind Astridsfaither, wirkan
- The arkaeolojist at the Wrack-Hofn
- Astrid gangs tae kirk
- Darling gangs tae view the wracks
- Olaf Lighter hishan his bairn tae sleep
- Gunnie Margitsbairn nyargs at thir mither
- Øyvind Grower an Eynar o the Hoose tak a eveneen class
- A alt-arkaeolojist visits wi Noor
- Higgie the Codd clocks aff
- Astrid meets the visietor, Darling
- Twa
- Darling an Astrid waatch a Lightstoor
- Inga raeds a airticle aboot the Lights
- Higgie the Codd seeks expert advice
- Eynar snecks up
- Darling an Astrid tak a waak trou the wynds o Meginwick
- Thay spaek aboot Mars
- Inga an Olaf spaek bisness
- Astrid casts back tae a pal fae the college
- Darling jacks the news
- Noor needs a drink
- Øyvind’s notions
- Astrid lairns Darling a new dance
- Astrid taks Darling haem fer dinner
- Young Brenna at the Ting
- Noor an Eynar spaek eftir the Ting
- Darling’s body
- Astrid canno draa yet
- Gossip is Orcadia’s craesh
- Gunnie Margitsbairn canno keep a secret
- Noor draems
- Darling catches wird fae haem
- Inga taks her yole oot
- Astrid taks Darling tae a meun
- Tree
- Astrid shaas Darling her wark
- Inga is waantan pey
- Darling peys Olaf fer a hurl
- Astrid speirs her faither fer advice
- Darling gies Eynar the tael
- The Dance
- Gunnie an Brenna imajin futures
- Astrid, oot
- Darling meets Margit Lighter fer bisness
- Eynar pits oot a advert
- Stoor
- Notes and Thanks
- About the Author
- By the Same Author
- Copyright
there will be nothing next year, or later, when the Lights are rareunusual, and the shipping, and everything we need to waitstaylive.
We’re working while we can.” Quiet, but hard. Olaf’s tea is cold. “It’s not that bad,” he says, but it is.
Astrid casts back tae a pal fae the college
The cast sheu gits by slow packet is pangit
wi sarcasm. Whit like is sheu noo i’the inner
wylds? Is sheu been reprogrammed yet
by the spacers? Deus sheu mynd whit like is the taste
o a gress-fed staek? Whit like is the yird o Mars?
Whit like is the smell o caller air? The bizz
o her jack pluggid in tae civiliesaetion?
Hoo tae dance? The election, the sit-in, the mairch?
Her social credits is plumman the reid; jeust whit
deus sheu think sheu’s deuan? Whan wad sheu come haem?
Astrid gans intae the lens o her caster
an sends afyoag o a laagh tae the funs, hersel,
her haem, an yaps aboot the tarf an retro
chairm o astro-industrial arkietecture
an hoo the yotun’s yallo swaalls her braeth.
Sheu smiles an lees aboot the space o space,
an hoo sheu’s deuan that grand a wark oot here.
(Her slaet bides teum yet; the vacuums atween
the biggeens o Deep Wheel Orcadia fill
o traffic, industry, mynd, wirds and waith.)
An than sheu says, “Listen,” an records the deep
mum o Aikeray’s injines, the bed an baet
o aa her life. An than sheu says, “Thoo
shoud come,” if only tae insense hersel
thir onytheen here that sheu coud ivver share.
Astrid casts back to a friend from art school
The message she receives by slow packet is fullbursting with sarcasm. How is she doing now in the inner wilds? Has she been reprogrammed yet by the spacers? Does she rememberknowreflectwill how a grass-fed steak tastes? How Mars’ groundworldsoil feels?
How freshcleanhealthy air smells? The buzzbustle of her jack plugged in to civilisation? How to dance? The election, the sit-in, the march? Her social credits are plumbing the red; just what does she think she is doing? When would she come home?
Astrid staregazeyawns into the lens of her caster and sends a big laugh at the jokegames, herself, her home, and talknagbarks about the harshbitter and retro charm of astro-industrial architecture, and how the gas giant’s yellow swellwaves her breath.
She smiles and lies about the space of space, and how she does so much work out here. (Her slate waitstaylives emptyhungry still; the vacuums between the structures of Deep Wheel Orcadia are full of traffic, industry, memorythoughtmeaning, words and flotsamstrays.)
And then she says, “Listen,” and records the deep hummumblewhisperword of Aikeray’s engines, the bed and rhythm of all her life. And then she says, “You should come,” if only to convinceimpress herself that there’s anything here that she could ever share.