Chapters (71)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Author’s Note
- Extract from Rites of Spring
- About the Author
There is something different about the chapel, and it takes her a few seconds to work out what it is. A faint smell that doesn’t belong here; it grows stronger as she gets closer to the mural, but she can’t quite identify it.
The painting looks even more sinister in the moonlight. The autumn colours are more subdued, the sky darker, the rain more gloomy. Just like earlier, the distorted reflections in the surface of the water almost seem to be alive, subtly shifting as she approaches – separating, coming together, separating again, forming new patterns, new shapes. Something that resembles . . .
The moon passes behind a cloud, and for a few seconds the chapel is in semi-darkness. Anna stops dead, not taking her eyes off the painting. She is so focused that she doesn’t hear someone coming up the narrow staircase.
Moonlight floods the room once more and she inhales sharply. The reflections in the water have flowed together to form the outline of a young man. His arms are stretched out and his face is turned up to the sky. His skin is pale, his blond hair surrounds his head like a halo. There is something incredibly beautiful about the image, yet at the same time it is deeply tragic, because it is very clear that the young man is dead.
‘That must be Simon Vidje,’ Agnes says from behind her, almost frightening the life out of her mother.
Chapter 12
12
28 August 1990
Carina watched as Simon stood up, propped his guitar against a rock and set off towards the path – going for a pee, no doubt. She waited until no one was looking in her direction, then got up and slowly followed him. She didn’t really know why, just that something had happened, something that meant she needed to talk to him. It was dark among the trees, but she’d taken this path many times before. It went all the way to the ruins of the old workmen’s huts that had once belonged to the quarry; nobody went there anymore.
‘Simon?’ she whispered. ‘Where are you?’
‘Here!’
She heard a noise to her right, and he emerged from the trees zipping up his fly. They stood opposite each other, a little closer than they would have done in daylight, as if the darkness was pushing them together. The proximity gave Carina a little tingle in her belly, which was ridiculous. This was Simon Vidje, whom she’d known since preschool. And yet, in some strange way, it wasn’t the same Simon, but a completely different person.
‘I was thinking . . .’ She shuffled uncomfortably. ‘It’s fantastic news about the tour – congratulations again.’ The weed was making her slur her words slightly. They tasted . . . burned.
‘Thanks.’
‘When are you leaving?’
‘On Monday.’
‘Right.’ Carina took a deep breath, hesitated. Her attention was caught by the sound of a branch breaking somewhere in the forest.
‘What was that?’
‘I’ve no idea.’