Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

There is something different about the chapel, and it takes her a few seconds to work out what it is. A faint smell that doesn’t belong here; it grows stronger as she gets closer to the mural, but she can’t quite identify it.

The painting looks even more sinister in the moonlight. The autumn colours are more subdued, the sky darker, the rain more gloomy. Just like earlier, the distorted reflections in the surface of the water almost seem to be alive, subtly shifting as she approaches – separating, coming together, separating again, forming new patterns, new shapes. Something that resembles . . .

The moon passes behind a cloud, and for a few seconds the chapel is in semi-darkness. Anna stops dead, not taking her eyes off the painting. She is so focused that she doesn’t hear someone coming up the narrow staircase.

Moonlight floods the room once more and she inhales sharply. The reflections in the water have flowed together to form the outline of a young man. His arms are stretched out and his face is turned up to the sky. His skin is pale, his blond hair surrounds his head like a halo. There is something incredibly beautiful about the image, yet at the same time it is deeply tragic, because it is very clear that the young man is dead.

‘That must be Simon Vidje,’ Agnes says from behind her, almost frightening the life out of her mother.

Chapter 12

12

28 August 1990

Carina watched as Simon stood up, propped his guitar against a rock and set off towards the path – going for a pee, no doubt. She waited until no one was looking in her direction, then got up and slowly followed him. She didn’t really know why, just that something had happened, something that meant she needed to talk to him. It was dark among the trees, but she’d taken this path many times before. It went all the way to the ruins of the old workmen’s huts that had once belonged to the quarry; nobody went there anymore.

‘Simon?’ she whispered. ‘Where are you?’

‘Here!’

She heard a noise to her right, and he emerged from the trees zipping up his fly. They stood opposite each other, a little closer than they would have done in daylight, as if the darkness was pushing them together. The proximity gave Carina a little tingle in her belly, which was ridiculous. This was Simon Vidje, whom she’d known since preschool. And yet, in some strange way, it wasn’t the same Simon, but a completely different person.

‘I was thinking . . .’ She shuffled uncomfortably. ‘It’s fantastic news about the tour – congratulations again.’ The weed was making her slur her words slightly. They tasted . . . burned.

‘Thanks.’

‘When are you leaving?’

‘On Monday.’

‘Right.’ Carina took a deep breath, hesitated. Her attention was caught by the sound of a branch breaking somewhere in the forest.

‘What was that?’

‘I’ve no idea.’