Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

She takes a deep breath, closes her eyes and visualises a volume control. Turns it all the way down to zero. The trick works and Håkan falls silent, at least for the time being. She decides to make the call she’s been putting off for the last half hour. She needs to tell Agnes that she won’t be home tonight.

Chapter 32

32

Autumn 2017

At about seven in the morning Anna nips home to Tabor to change her clothes and give Agnes a lift to the station. She is met by a less than happy Milo, who shoots between her legs and disappears among the trees. There is a note on the kitchen table.

Staying the night at Erik’s.

Five words, no signature. Nothing more than the information she needs to prevent her from worrying, and yet the brief note tells her something else: the fragile truce between them is probably over. It’s her fault; she promised Agnes that she would no longer work nights and leave her alone.

However, by the time she sets off for the police station, she is angry. She considers calling Agnes, telling her it’s not OK to sleep over at a friend’s without talking to her mother first, but Håkan has something to say.

There are more important things, aren’t there? Things you ought to tell her before she hears them elsewhere. The investigation is still ongoing . . .

She tries to shut him up, tries to explain to him that the status code on the computer screen doesn’t necessarily mean what he’s implying. It could just be that the prosecutor has been very busy, and hasn’t yet got around to dismissing the case. This could happen any day now, then Håkan can stop worrying. Leave her in peace and concentrate on being dead.

Her internal dialogue with her ex-husband is still going on when she arrives at the station. Several vehicles that she recognises from last night are parked outside, including the CSI van, back up from county HQ, and Jens Friberg’s VW. She follows the smell of wet clothes and finds the whole team in the kitchen, chatting to Henry Morell. The room is jam-packed, the atmosphere is relaxed, and she walks in on the end of a burst of laughter.

‘There you are, Anna,’ Morell says. ‘We were just sharing old memories – nothing about current cases, so you don’t need to worry.’ He smiles, his tone is almost too friendly, which of course is another way of showing his displeasure at the way she treated him last night.

She ignores the challenge, simply stands there in silence, waiting. She notes that he is still in uniform, even though he’s now officially retired. After a few uncomfortable seconds he gives in, picks up his coffee cup and gets to his feet.